The
80s was the time when many Synth-Pop duos from the UK had successful
international careers. The longest lasting of those are the Pet Shop Boys. They
were formed in London in 1981 and their latest album came out 2 months ago.
There will surely be more to come.
The
Pet Shop Boys are Neil Tennant and Chris Lowe. Neil came out publicly in 1994,
while Chris never said that he's gay, but also he never denied it. Chris has lived
together with his personal assistant Peter Andreas for about 5 years. In 1994
Peter died of AIDS-related causes. The album Alternative was dedicated to him.
Also, Chris wrote and sung the song Postscript for him. We usually do these
presentations chronologically, but, for a change, let's start with Postscript:
I
believe in ecstasy
The
times we've had, you and me
Friends
we've met along the way
Partied
every night and day
And
I know we'll meet again
Tennant
worked as an editor for the UK edition of Marvel Comics and then he worked as a
news editor at Smash Hits, a British Pop magazine. A few months before that, he
had met Lowe, a student of architecture at an electronics shop in London. They
became friends and they created the Pet Shop Boys.
The
Pet Shop Boys have sold more than 50 million records worldwide and are listed
as the most successful duo in UK music history by The Guinness Book Of Records.
They have been awarded 3 Brit awards and have been nominated for 6 Grammies. They
have 42 singles in the UK Top 30, with 22 Top 10 hits, including 4 at #1.
Their
first single, West End Girls, was originally released in 1984, but failed to
make much of an impact: it only made #121 in the UK and #81 in Canada. However,
when PSB changed labels the following year, they re-recorded the song with a
different producer. This time they hit paydirt: the song was #1 in the US, the
UK, Canada, Finalnd, Norway and New Zealand, #2 in Germany, Ireland, South
Africa, Sweden and Switzerland, #3 in Spain and Belgium, #4 in the Netherlands
and #5 in Australia and Austria. They were now a big time act.
Also
from their first album, Please, came good singles Love Comes Quickly (about the
inevitability of love, even for those who shun it), Opportunities, subtitled
Let's Make Lots Of Money (a criticism of the money-hungry capitalism prevalent
in Thatcher's Britain) and Suburbia (inspired by the Brixton riots and Penelope
Spheeris' film of the same name). Then in 1987 came their 2nd album, Actually,
which was their most successful in the UK. Although it'd just missed the top
(it peaked at #2) it became 3x platinum in the UK alone.
The
first single off this album is one of their best and also one of their most
successful. As great things often are, it was written in just 15 minutes, with
no visions of greatness in mind. It's A Sin tells us how religion (Catholicism
in particular in this case) introduces the feeling of guilt by condemning all
that is pleasant (especially of the sensual variety) as sinful. It made #1 in
most European countries and #9 in the US.
Their
next single, What Have I Done To Deserve This, was a collaboration with the
legendary Dusty Springfield. My favorite British female singer of the 60s was
defeated by breast cancer in 1994, only 59 years old. She had a tough personal
life: she was bipolar, prone to drug addictions and self-harm. She was a
lesbian, trying to deal with the restrictions of being one in that era. She
never had phony relationships with men and in her interactions with the press
she was as straightforward as can be: "many other people say I'm bent, and
I've heard it so many times that I've almost learned to accept it ... I
know I'm perfectly as capable of being swayed by a girl as by a boy. More and
more people feel that way and I don't see why I shouldn't." By the
standards of 1970, that was a very bold statement. 3 years later, she added:
"I mean, people say that I'm gay, gay, gay, gay, gay, gay, gay, gay. I'm
not anything. I'm just ... People are people ... I basically want to
be straight ... I go from men to women; I don't give a shit. The
catchphrase is: I can't love a man. Now, that's my hang-up. To love, to go to
bed, fantastic; but to love a man is my prime ambition ... They frighten
me."
We'll
give Dusty the space she deserves when the time comes. For the moment, let's
listen to the collaboration, which was #1 in Ireland, #2 in the US, the UK, the
Netherlands and Sweden, #3 in Canada, #4 in Germany and #5 in Switzerland.
Their
next single from their album Actually (seriously, if you only can afford to buy
one PSB album, buy this. Or their greatest hits.)
In
the same album
was another stunning song:
Rent. It's about a kept boy: "I love you, you pay my rent". It too
was a Top 10 hit in the UK and elsewhere.
A
couple of years later, the PSB wrote songs for and co-produced the album
Results, for none other than our Liza (please don't ask who's Liza!). The album
made #6 in the UK and #13 in Spain. There, Liza reveals her own fabulous
version of Rent:
As
a bonus, here's Liza's hit single from this album, a #2 hit in Ireland, #6 in
the UK and #7 in Spain. It's from Sondheim's 1971 musical Follies and it's
called Losing My Mind:
Meanwhile
back, the PTB performed on a TV special and included their version of Always On
My Mind, which had already been a hit for Elvis Presley and Willy Nelson. Their
performance was so well-received that the duo decided to record the song and
release it as a single... And the single caught fire: it was #1 in the UK,
Canada, Germany, Spain, Finland, Poland, Sweden and Switzerland, #2 in Ireland,
Austria and Belgium, #3 in South Africa and Norway and #4 in the US.
Back
to Actually: the 4th and last single from the album was also to be their last
#1 in the UK. Heart was also #1 in Germany, Ireland and Switzerland.
Domino
Dancing was in their 1988 album Introspective. It was Latin flavored and the
video is full of eye candy. A big Top 10 hit all over Europe (highest position:
#3 in Germany) and #18 in the US.
More
on the Pet Shop Boys tomorrow.
I love these guys. You mentioned everything I would have so I won't retread. I always liked the sound of their records. The echoing vocals and mechanical dance beats are a beautiful combination and their songs were a highlight of the era. PSB, Somerville and Frankie GTH were an excellent triad of British dance music with a gay-positive slant. And yes to Liza's superb cover of Rent. I love when someone takes a great song and turns it into something different but just as great.
ReplyDeleteI'm very glad that you think so, RM! Have a great one!
DeleteDusty died on March 2, 1999, a month shy of her 60th birthday. I remember her saying how knocked out she was when she first heard "West End Girls"; she was driving and had to pull over to the side of the road to listen. Thanks for all the great memories.
ReplyDeleteThanks for the lovely comment, AFHI! Dusty was a very special lady and it's such a pity that she was lost to us so soon. Her songs live on though, don't they?
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