In another first, The Smiths released a compilation
album, Hatful Of Hollow, just months after their debut album. It was filled with
great songs.
The cover photo (above) featured the fabulous but otherwise
unknown Fabrice Colette and was taken by Gilles Decroix. In it were non-album singles and B-sides, as well as songs from their first album in different versions, taken from BBC
Radio 1 studio recordings. Here's the first one, of a song that we posted
yesterday in its original version, What
Difference Does It Make?:
I'm very attached to this album, since it was the first
Smiths' album that I ever bought. In vinyl, of course. What
Difference Does It Make? is the 2nd track,
so let's go back to the opening track. William, It Was Really Nothing was the
band's 5th single overall, peaking at #17 in the UK and #8 in Ireland. It was
released in two different versions, with different sleeves and different
B-Sides. Both B-sides were superb songs, in fact they were even superior to the
(still great) A-side! We'll get to both these songs later, as for William, It
Was Really Nothing, it's about Morrissey advising a male friend not to get
trapped in marriage. Typical Morrissey advice, I would say.
Let's check out the two B-sides now: Firstly, let's talk
about How Soon Is Now?. Possibly my favorite Smiths' song, as well as the
favorite of many others: the reaction to it as a B-Side was such, that a few
months later it was released as an A-side of a new single, that made it to #24
in the UK and #5 in Ireland. Also made #36 in the US Dance chart. Anchored by
Marr's terrific guitar work, Morrissey's lyrics were never gloomier:
I am the son
And the heir
Of a shyness that is criminally vulgar
I am the son and heir
Of nothing in particular
You shut your mouth
How can you say
I go about things the wrong way?
I am human and I need to be loved
Just like everybody else does
There's a club if you'd like to go
You could meet somebody who really loves you
So you go and you stand on your own
And you leave on your own
And you go home and you cry
And you want to die
When you say it's gonna happen "now"
Well when exactly do you mean?
See I've already waited too long
And all my hope is gone
The song has been called the Stairway To Heaven of the
80s. Judge for yourselves:
The other B-side was Please, Please, Please, Let Me Get
What I Want. An earnest plea for wish fulfillment from a guy that hasn't had
much luck in his life. It's short and sweet and not as world weary as most of
Morrissey's work. It has been covered by numerous respected artists and has
appeared on the soundtrack of many films.
To return to the clearly homoerotic songs, You Handsome
Devil is one of those. The lyrics veer towards cheesy, but in a fun way:
A boy in the bush
Is worth two in the hand
I think I can help you get through your exams
Oh, you handsome devil
Oh, let me get my hands
On your mammary glands
And let me get your head on the conjugal bed
I say, I say, I say
I crack the whip
And you skip
But you deserve it
You deserve it, deserve it, deserve it
And when we're in your scholarly room
Who will swallow whom ?
To be honest,"let me get my hands on your mammary
glands" makes me wince every time. A good song though.
Their 4th single (right before William, It
Was Really Nothing) was Heaven
Knows I'm Miserable Now, #10 in the UK & #11 in Ireland. It contains the
intriguing line: "What she asked of me at the end of the day Caligula
would have blushed". It's one of Morrissey's best vocal efforts.
Their second studio album, Meat Is Murder (the title, as
well as the title track inspired by the fact that Morrissey as well as Marr are
dedicated vegans), was their only studio album to go to #1 in the UK. It contains
the song That Joke Isn't Funny Anymore, a ballad inspired by an 'intimate
friendship' with a journalist. Also, it was a response to journalistic mockery
of Morrissey's songwriting that dwelt "on the unhappy side of life".
Their third album, The Queen Is Dead, peaked at #2 in the
UK. A very good song off it is Bigmouth Strikes Again, a song chronicling
Morrissey's rocky relationship with the press corps.
It's There Is a Light That Never Goes Out, however,
that is considered to be the best song in the album and for many the best
Smiths' song ever. It's about a guy that was kicked out of his house and spends
a fateful night with a guy that he's infatuated with. Here's how it goes:
Take me out tonight
Where there's music and there's people
And they're young and alive
Driving in your car
I never never want to go home
Because I haven't got one
Anymore
Take me out tonight
Because I want to see people and I
Want to see life
Driving in your car
Oh, please don't drop me home
Because it's not my home, it's their
Home, and I'm welcome no more
And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten-ton truck
Kills the both of us
To die by your side
Well, the pleasure - the privilege is mine
Take me out tonight
Take me anywhere, I don't care
I don't care, I don't care
And in the darkened underpass
I thought oh God, my chance has come at last
(But then a strange fear gripped me and I
Just couldn't ask)
Before their last studio album, the Smiths released yet
another compilation called The World Won't Listen. It too peaked at #2 UK. As
their previous compilation, it mostly contained non-album singles and B-sides.
My favorite track from this one is the single Panic. For a band that depends on
DJs to play their songs, it takes a lot of courage to put out lyrics such as:
Burn down the disco
Hang the blessed DJ
Because the music that they constantly play
It says nothing to me about my life
From their last studio album, Strangeways Here We Come
(which also peaked at #2 in the UK), I choose the epic ballad Last Night I
Dreamt That Somebody Loved Me, a song that brings forth memories of solo John
Lennon.
The band broke up in 1987 amid personal and musical
disagreements. Although they were offered loads of money to regroup, like the
Beatles, they never did.
Tomorrow we will deal with Morrissey's solo career.
Till then, enjoy yourselves.
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