Rufus Wainwright (b. 1973 in New York), was born of
musical royalty. His father, Loudon Snowden
Wainwright III, is a Grammy-winning American songwriter, folk singer and actor.
He was once heralded as Dylan's heir, but now we well know that people like
Dylan, the Beatles, Elvis, Sinatra are irreplaceable.
His mother was Kate
McGarrigle, a Canadian folk singer-songwriter, who formed a duo with her sister
Anna. Their first record was chosen as Best Record of the Year 1976 by
prominent British music paper Melody Maker. They also won 2 Juno awards (1996
& 1998). His sister, Martha Wainwright, is also a well respected
singer-songwriter.
His parents divorced when he was three, and he lived
with his mother in Montreal, Canada, for most of his youth. He began playing the piano at age six, and started
touring at age 13 with "The McGarrigle Sisters and Family", a folk
group featuring Rufus, his sister Martha, his
mother Kate, and his aunt Anna.
Wainwright identified as gay while a teenager. At
age 14, he had a very ugly experience in London, after
picking up a man at a bar. In his own words: "I said I wanted to go to the
park and see where this big concert was going on. I thought it was going to be
a romantic walk in the park, but he raped me and robbed me afterwards and tried
to strangle me". He survived only by faking a seizure. He has been
reported to have stated that he remained celibate for five or seven years after
the incident, and eventually became promiscuous.
He became addicted to crystal meth in the early
2000s and temporarily lost his vision. It was Elton John who helped him kick
the habit. After a series of unhappy relationships, he found his life partner
in Jorn Weisbrodt. They were married in 2012. A year before that, Rufus had a
daughter (Viva Katherine Wainwright Cohen) with Leonard Cohen's daughter Lorca.
Lenny Waronker signed Rufus to DreamWorks in 1996. His
first album came out in 1998 and was called Rufus Wainwright. The
reviews were mostly great. Rolling Stone named Wainwright the Best New Artist
of 1998. The album earned him recognitions from the Gay & Lesbian American
Music Awards, the GLAAD Media Awards and the Juno Awards.
The opening track, Foolish Love, is arranged by Van
Dyke Parks. The song seems to be directly connected to the song that follows, Danny Boy. Together they represent the start and end of a
relationship between a gay man (Rufus) and a straight man (Danny). Danny, the
straight "drug-addled" title figure, was a man with whom Wainwright
had a three-year relationship. In Foolish Love the
relationship is still good, even though the singer can see where it's heading:
I don't want to hold you
And feel so helpless
I don't want to smell you
And lose my senses
And smile in slow motion
With eyes in love
I twist like a corkscrew
The sweetness rising
I drink from the bottle weeping
Why won't you last?
Why can't you last?
The video:
In Danny Boy, things
have already taken a turn for the worse:
I was hanged at the doorstep, played like a two to a
fourset
Had like poor Job in the bible by God
Day comes I wake, I wake with a hard heartache
I go down to your place
We sit and chat, chat about New York and trips to the
bayou
My smile a trick, tricking me and trying not to scare
you
And a ship with eight sails could come 'round the bend
Or a herd of bulls charging stop lights red
I'd be blind
You broke my heart Danny Boy
Not your fault Danny Boy
The video:
Barcelona is another song from
this album that's worth noticing. The song is loosely about AIDS and contains
the lyric "Fuggi, regal fantasima", taken from Verdi's opera
"Macbeth". According to Wainwright, the line appears in a scene when
"Macbeth is going mad and sees the ghost, and in [Wainwright's] mind the
ghost was AIDS." Some of the lyrics:
The summer sun set a vicious circus
When shadows held the world in place
But today I felt a chill in my apartment's coolest
place
Fuggi regal fantasima
The village larks cannot be heard
'Cause all the crows got panderers
I can't escape these velvet drapes
Don't want my rings to fall off my fingers
Fuggi regal fantasima
The mirror I find hard to face
'Cause I fear it's a long way down
Here's the video:
More on Rufus Wainwright tomorrow.
I bought RW's first four lps as well as the Garland tribute. What a talented man! Love everything about this first record. I suspect the cabaret-ishness of some of the songs keeps today's audience from appreciating his music but what I especially enjoy is the variety of styles to be found when you really give it a listen. Aside from the three great tunes you showcase, I also like Millbrook and Baby. I so would like to hear his songs covered by other artists - Adam are you listening?
ReplyDeleteInteresting that you should mention that, RM, it's the cabaret-ishness that actually draws me to his music. I guess that I'm not a sample of the current buying public, not being in that age bracket. I totally agree over the appreciation of his variety of styles. I also appreciate the fact that his music is very personal, which makes it easier for me to make the emotional connection. I do agree with you concerning Millbrook and Baby, they're also great songs.
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