After leaving the Bronski Beat, Jimmy Somerville formed The Communards in 1985 with
multi-instrumentalist Richard Coles. They released two albums, in 1986 and
1987, both critically acclaimed, both entering the UK Top 10 and the US Top
100.
Their self-titled debut contained their biggest hit, a
Hi-NRG remake of Harold Melvin's hit Don't Leave Me This Way, their version closer
to Thelma Houston's version. The
featured guest vocalist was the female jazz singer Sarah Jane Morris. The song
made the US Top 40 and was a big No 1 in the UK (4 weeks at #1), also #1 in
Ireland, Belgium and the Netherlands, #2 in Australia, New Zealand and
Switzerland, #5 in Germany & Italy and #6 in France & Spain. Here it is:
In the same album there is a slower, jazzier number
called Forbidden Love. Some of the lyrics:
Stand so strong so proud
Give in to prejudice
Behind closed doors we have to kiss
But I long to hold your hand in the rain
Watching accepted lovers expressing
tenderness and joy
Makes an anger stir in me for
something I can't truly have
The video:
Their 2nd & last album, Red, had another Hi-NRG
remake that became a big hit: Never Can Say Goodbye was originally a hit for
the Jackson Five and then for Gloria Gaynor. In the Communards' version it
reached #4 in the UK and #51 in the US. Here it is:
Another hit from the same album is the song There's
More to Love Than Boy Meets Girl. Some of the lyrics:
How can one man decide the fate and destiny of innocent
lovers
And why is it less of a crime to take the life of
another?
Through time they've always tried to hide and cast
aside this love denied
In the shadows we held each other tight
There's more to love than boy meets girl
There's more to love than boy meets girl
For love is strange and uncontrolled, it can happen to
anyone
Watch it here:
Another hit from the same album, For A Friend, is an
emotional ballad written in the memory
of Mark Ashton, a friends of Jimmy and Richard, who died of AIDS-related
complications. A verse:
Summer comes, I remember how we'd march
We'd march for love and pride, together arm in arm
Tears have turned, turned to anger and contempt
I'll never let you down, a battle I have found
And all the dreams we had, I will carry on
As I watch the sun go down, watching the world fade
away
All the memories of you come rushing back to me
As I watch the sun go down, watching the world fade
away
All I want to do is kiss you once goodbye.
Watch it here:
The Communards split in 1988 and Somerville began a
solo career the following year. He released his debut solo album Read My Lips in
November 1989, which contained three UK Top 30 hits.
A Hi-NRG remake of Sylvester's You Make Me Feel:
A remake of
the Serge Gainsbourg/Françoise Hardy hit Comment Te Dire Adieu (a duet with June Miles Kingston):
And finally, an original track, Read My Lips (Enough Is
Enough), which is Jimmy's outrage at the way politicians handled the AIDS
crisis that was then at its peak. Some of the lyrics:
Read my lips and they will tell you
Enough is enough is enough is enough
Finding cures is not the only solution
And it's not a case of sinner absolution
So we'll fight (fight!)
For love and with pride
And we'll fight (fight!)
Standing together for the
Right to live and die with dignity
Read my lips and they will tell you
Enough is enough is enough is enough
The power within
We can use it to win
So we'll shout (shout!)
As loud as we can
And we'll fight (fight!)
'Till they meet our demands
Money is what we need, not complacency
The video:
Jimmy had another big hit the following year with a
remake of the Bee Gees' To Love Somebody:
After that the hits stopped coming. Still, Jimmy
continued to make music. His 2nd solo album contained Dare To Love, a great
song tackling a very sensitive subject:
He remembers at 14
He knew what he wanted
He wanted a man no psychiatry
Just to be held to be told it was alright
All he got was a hospital bed
And some pills to sleep at night
In his mind were images so divine
But in his life it was a hell of a time
They locked him away
Because he dared to love
A boy with a man of his own
He wonders if anyone
Has ever heard of him
They kicked in the door
Acting like there was
Some kind of murder going on
Made their love seem dirty
Called him sick called him queer
The law was against him
He was 25 his lover 16
Couldn't believe it was happening
It seemed so unreal
But a cell 12 by 8
Made it all so very real
They locked him away
Because he dared to love
A boy with a mind of his own
He loved a boy with a mind of his own
Where is the crime, where is the crime in love
He loved a boy with a mind of his own
They locked him away
Because he dared to love
A boy with a mind of his own
The video:
A couple of years ago he released the very interesting disco-inspired
album called Homage. The first single off the album was Back To Me:
Travesty was the second single from the album:
Jimmy will not give up. I believe that he will continue
writing and recording classy songs for many years to come.
I can't praise JS enough, whether it's as a member of Bronski, The Communards or on his own. All his music is amazingly wonderful and I truly wish he was as big in this country as yours and everywhere else. His genius needs to be celebrated and appreciated as much as any superstar we've got. And while his original songs are superb, I have a real soft spot for the many covers he's done. You presented some of his best but I would add one of my personal favorites - his remake of the Supremes' smash Someday We'll Be Together from 1995's Dare To Love lp. It is marvelous!
ReplyDeleteRM, I'm so happy that you think so! I believe that Jimmy would also be happy to hear what you're saying. I hope that he gets to read this someday. I'm listening again to Someday We'll be together. You're absolutely right, it's marvelous! I love how he differentiated his own version from the one by the Supremes: while there is optimism in the Supremes' version, there's disguised pessimism in JS's version, as in he hopes that someday they'll be together, but deep down he's not so sure.
DeleteBy the way, from one list-maker to another, the Supremes are my Achilles heel: there are a dozen songs of them that I absolutely adore, but if you ask me to tell you which I like more than the other, I'm at a loss. They're all so equally good.
On a related subject, if you ever want to continue the Beatles' list we started a few months ago, I'll be happy to exchange lists in the comments section. Have a great weekend!
That's Allison Moyet (of Yazoo) singing with Jimmy in the 'Don't Leave Me This Way' video. I love her voice. They sound great together.
ReplyDeleteHey Wayne, great to hear from you! It's actually Sarah Jane Morris singing with Jimmy, but I can see why you (as well as a few people on the Internet) could be confused. Her voice has an uncanny resemblance to Alison's. They don't look the same though.
DeleteHere she is with Yazoo in 1982: https://www.youtube.com/watch?v=GPpHLK4SHt8
Here she is performing solo, her big hit Is This Love, in 1986, the same year that Don't Leave Me This Way was recorded: https://www.youtube.com/watch?v=QDdAgJxdgcQ
Especially in the second video, it's clear that it's not the same person. Thanks a lot for the comment though: this way you brought Alison in the conversation and discussing Ms Moyet is never a bad thing. :)
whoops. Sorry Sarah.
DeleteI'm sure that she accepts your apology, Wayne! :)
DeleteI agree with your Supremes love yianang. These days, they don't seem to be held in the same regard as other Motown acts like the Temptations or even the Four Tops. I hear a lot of "They're mostly fluff or were manufactured for white audiences. Well, I was around during their heyday and I can attest to how wrong-headed that is. They are just as much the face of Motown as Gaye, Wonder, Robinson or any of the other divine acts of that era. Here are my 10 favorite Supremes songs in no particular order:
ReplyDeleteBack In My Arms Again
Baby Love
Come See About Me
Reflections
In And Out Of Love
Forever Came Today
The Happening
Love Child
Love Is Like An Itching In My Heart
You Can't Hurry Love
I prefer the cover versions of a couple of songs I didn't include here: Donnie Elbert's Where Did Our Love Go and Vanilla Fudge's You Keep Me Hanging On.
I also didn't include any post Diana Ross songs as I consider those separate entities but I do adore many of them as much as the Diana songs.
Up The Ladder To The Roof
Everybody's Got The Right To Love
Stoned Love
Nathan Jones
Floy Joy
Your Wonderful Sweet Sweet Love
I Guess I'll Miss The Man
Bridge Over Troubled Water
Automatically Sunshine
Whew! I'll get back to the Beatles next time.
Hey RM! You too skirted the tough job of putting the songs in order. I'll do the same then: in alphabetical order here's my Top 10:
DeleteBaby Love
Come See About Me
The Happening
Love Child
Love Is Here And Now You're Gone
Reflections
Someday We'll Be Together
Where Did Our Love Go
You Can't Hurry Love
You Keep Me Hanging On
I do like the Vanilla Fudge and the Donnie Elbert versions, but I still prefer the originals, that's why I included them in the 10.
I like the post-Diana Supremes a lot now, but I wasn't into then as much at the time, so their songs have failed to seep into the core of my being, as the 60s songs have. Therefore, making a top ten list of the 70s period wouldn't really be of much value at this time. I've recently acquired the first two LPs of the post Diana period and I have to listen to them a few times before I really get into the songs, not just the obvious hits.