"Maurice" is based on a
novel by E.M. Forster, one of the most famous English authors of early 20th
Century. Out of the six novels that he wrote, five were graced with very
successful and prestigious film adaptations (A Passage to India, Where Angels
Fear to Tread, Howard's End, A Room with a View and Maurice). In fact three
(Howard's End, A Room with a View and Maurice) were adapted by the same
creative duo: director James Ivory and producer Ismail Merchant (a couple in
real life). Forster, a closeted gay, wrote the novel in
1913–1914, and revised it in 1932 and 1959–1960. Although it was shown to
selected friends, such as openly gay writer Christopher Isherwood (who wrote
the novels on which the films "Cabaret" & "A Single
Man" were based, as well as his recently made-into-film memoir
"Christopher and His Kind), it was only published in 1971 after Forster's
death. The way the story would end was of great concern to Forster and he had
prolonged discussions with Isherwood over it. They decided on a happy end, which
was a decision that was as much political (for the elevation of gay
self-esteem) as it was literary.
The film was a labour of love for the creative couple
of Merchant & Ivory. Having just
scored big with "Room with a View" (8 Oscar nominations, 3 wins and
worldwide success), they were given a free hand and a healthy budget for such a
"delicate" subject. The film debuted in the Venice film festival in
1987 and was enthusiastically received, managing to win major awards: best
actor (for both its leads) best director and best score. A few months later, it
was also nominated for an Oscar (costume design).
The story: Two
English school friends find themselves falling in love at Cambridge. To regain
his place in society, Clive (Hugh Grant) gives up his forbidden love, Maurice (James
Wilby) and marries. While staying with Clive and his wife, Maurice finally
discovers romance in the arms of Alec (Rupert Graves), the gamekeeper.
It was Hugh Grant's first major
role. My personal favourite, though, was Rupert Graves as Alec Scudder the
gamekeeper.
The (sort
of) review: I had seen the film when it was first released, with a gay friend,
and we were both ecstatic. Then the very next day I went and saw it again with
straight friends. I was still ecstatic, while they were mildly positive about
it. Since then I have seen it 7 times in total and I'm sure I'll see it again
soon. Needless to say, I really like it. In fact, it had such an enormous
emotional resonance for me, that I won't even attempt a cool and detached
critique. At worst, it's a gay Downton Abbey. At best, it's a life-affirming
experience.
Grade: 10/10
Here's a montage of romantic moments from the film:
I couldn't agree more yianang, Maurice is a beautiful movie experience and I would wholeheartedly recommend it to anyone struggling with their sexuality. Hell, I'd recommend it to anyone period. All three leads were gorgeous men. Grant and Wilby were perfect would-be lovers and I ached for Maurice's predicament. And then there was Scudder. Ah, Scudder. Like a beacon of light, he appeared and rescued Maurice from the longing, loveless life it appeared he was doomed to live. I was so, so happy that Forster wrote a happy ending for our hero and not the typical sad, gay life so typical of the time. It gave me hope at a time when AIDS had ravaged our people and being gay seemed like a sure death sentence. A truly beautiful film that deserved so much more than a f*cking Costume Design nod from the gutless Academy.
ReplyDeleteSuch a beautiful comment, RM! Thank you.
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