A low-keyed oeuvre filmed in 3 weeks that
manages to convey a multitude of emotions.
Ben Whishaw has caught my attention since
his breakout role in Perfume: the Story of a Murderer (2006), even though he
had been working in films and TV since 1999. After Perfume, he's had lead or
prominent supporting roles in a series of high-profile movies, like I'm Not
There (Arthur Rimbaud as an incarnation of Bob Dylan), Brideshead Revisited
(Sebastian Flyte), The International, Bright Star (John Keats), The Tempest
(Ariel), Cloud Atlas (in multiple parts), Skyfall & Spectre (Q), Paddington
(Paddington), The Lobster, Suffragette, The Danish Girl, In the Heart of the
Sea. Also, he starred in TV series such as "The Hollow Crown" (Richard
II), The Hour and recently had the lead in London Spy. He came out in 2011 and
in 2013 he confirmed that he and his partner Mark Bradshaw had been married in
2012. Lilting is one of a number of films, both before as well as after his
coming out, in which he plays a gay man. It's also one of the most interesting.
Story: Set in London, it involves the
repercussions from the untimely death of a Cambodian man, Kai (Andrew Leung) for
his mother Junn (Pei-Pei Cheng) and his lover Richard (Ben Whishaw). Richard
uses a translator, Vann (Naomi Christie), to try to approach Junn, who was
unaware of her son's sexuality. Also featured is the romance of Junn with Alan
(Peter Bowles).
My review: Language as a barrier and
language as a bridge: Richard brings Vann in as a translator for elderly couple
Junn & Alan, yet the improvement in verbal communication, instead of bringing
them closer, tears them apart. Richard's ultimate purpose is to build a bond
between himself and his dead lover's mother. Yet the moment they truly
reach that connection, each does it in their own language. The translator, even
though she's present, is redundant. So, this is a movie about a hard-earned friendship, accepting loss and forming new alliances (perhaps less
satisfying, but still necessary), when life deprives you of the ones that you
thought would last forever. If you don't mind being suspended in an air of
melancholy for a while after seeing this film, then I strongly recommend it.
Grade: 9/10
Trailer:
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