Tom Robinson, one of his songs in particular, gave me
the fighting spirit necessary to come out and to get involved in gay activism.
He's the guy we'll be dealing with for the next 3 days.
Tom (born in Cambridge/1950) to middle class parents,
realised that he was gay at the age of 13, when he fell in love with another
boy at school. Being gay would still be illegal for 4 more years. At 16 he
attempted suicide and he was institutionalized for the next 6 years. He then
went to London, where he became involved in the emerging gay scene and embraced
the politics of gay liberation, which linked gay rights to the wider issues of
social justice.
He formed the Tom Robinson Band, which was highly
political. In 1977 they released the single 2-4-6-8 Motorway, which alludes to
a gay pick-up between a hitch-hiker and a truck driver (Little young Lady
Stardust hitching a ride). It went Top 5.
In February 1978, the band released the live EP Rising
Free. The main track was Glad To Be Gay. A song originally written for the
London gay Pride Parade of 1976. This was the song that I mentioned in the
beginning: a sarcastic anthem of protest and empowerment: the first verse
begins with "The British Police are the best in the world" and then
goes on to list cases of police brutality. The second verse deals with the
double standard found in the press: "Pictures of naked young women are
fun... There's no nudes in Gay News our one magazine, but they still find
excuses to call it obscene."
The third verse deals with bullying: "You don't
have to mince or make bitchy remarks to get beaten unconscious and left in the
dark." Finally the fourth and final verse deals with our own apathy and
our closeted self-hatred: "Lie to your workmates, lie to your folks, put
down the queens and tell anti-queer jokes. Gay Lib's ridiculous, join their
laughter, 'The buggers are legal now, what more are they after?'"
The song, although banned by the BBC, made the Top 20
and has since become a seminal song of the genre. Over the course of his solo
career, Tom Robinson has performed the song with its lyrics updated to reflect
current events. There have been ten versions officially released.
This version was recorded in Manchester, 1977:
Another great version:
This EP also includes my favorite bromantic song,
Martin.
This version is from 1979:
Their first LP, Power In The Darkness (May 1978), was a
kickass political dynamite. It included Long Hot Summer, a song about
Stonewall:
The title track is a manifesto, which begins with the
liberal pov and ends with the pov of the extreme right. A Brechtian writing
style, also used in Glad To Be Gay, that brings the message home much more
effectively.
Finally for today, a song from TRB Two, the band's
second album from 1979. The album is as political as the first. Black Angel
dealt with a white guy who falls in love with a black guy. The song
appropriately came with a fake-gospel chorus. Here it is:
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