Friday, 14 October 2016

Zeki Müren

Ahead of everything else, let me just say how happy I am that Bob Dylan was awarded the Nobel prize for literature. Such a worthy win!

I've been thinking, since the Rolling Stones countdown is almost over, would you like for me to start a similar one based on Bob Dylan songs? Please sound off in the comments' section.

We've got two more stops in our travels around non-English speaking countries: our penultimate stop is in Turkey. Here's an artist that was openly, flamboyantly gay in an Islamic country, yet he was a megastar, loved by everyone. To say that he was a more honest version of Liberace, or a less complicated version of David Bowie would not tell the whole story, because he was indeed a true original. He was Zeki Müren.


Zeki Müren (born in Bursa, Turkey on 6 December 1931, died in İzmir on 24 September 1996) was a prominent Turkish singer, composer, and actor. He was famous for his compelling voice and precise articulation in his singing of both established Turkish classical music and contemporary songs.

Müren grew up in the provincial capital city of Bursa in western Turkey. From 1950 to 1953 he studied decorative arts in Istanbul at the Fine Arts Academy while launching his musical career. Müren’s first album was issued in 1951, at which time he was a regular singer on Istanbul Radio. In 1955, he had his first gold record. That record was Manolya (Magnolia):


Another big hit for him was Şimdi Uzaklardasın (Now That You're Far Away):


Müren was also a gifted poet, publishing Bıldırcın Yağmuru (The Quail Rain) in 1965. Additionally, he acted in Turkish cinema, starring in eighteen films and writing many of their musical scores. Even though he did not consider himself a painter, he painted as a hobby, Müren dressed in a daring fashion, wearing large, ornate rings and heavy make up, especially in the later years of his life. He was also a prolific designer, designing his own stage costumes - shiny jackets, bejewelled capes and extra skimpy miniskirts. In many ways, he had a pioneering role in rendering the Turkish society more accepting about homosexuality. He, with his distinct style, remained a highly respected artist throughout his career, and in a sense, paved the way for many later, more openly gay or transsexual Turkish artists.

Another early hit was Bir Demet Yasemen:


In 1972 he released Seni Andım Bu Gece:


Here's a song dedicated to his mother, from 1974, called Anne Annem Anneciğim:


To say that Muren's stage performances were novel and over-the-top extravagant is an understatement. Müren was one of the first artists to use a catwalk stage in order to mingle with his audiences. Zeki was particularly popular with conservative housewives, who flocked to his sold out afternoon shows fashioned particularly for the entertainment of women. In fact, it was this dialogue with his fans, his manner of interacting and his flawless diction and pronunciation of the Turkish language that best explains his wide appeal. Through his recordings, "good Turkish" was brought to the masses, providing them with a free linguistic education alongside their musical entertainment.

Here he is, in one of his later hits, Ah Bu Şarkıların Gözü Kör Olsun:


This is another song called Gözlerin Doğuyor Gecelerime:


The last five years of his life, during which he was afflicted with health issues, were spent in relative seclusion with his male partner. He died of a heart attack during a live TV show that was arranged to give him an award, which was the microphone that he first used on TV, in the city of İzmir on September 24, 1996. His death caused the greatest public grief in years and thousands of people attended his funeral. Zeki Müren Art Museum, established in Bodrum, where Müren used to live, has been visited by more than 200,000 people between its opening on June 8, 2000 and December 2006. All his worldly possessions were donated to the Türk Eğitim Vakfı (Foundation for Turkish Education) and Mehmetçik Vakfı (Foundation for Disabled Veterans and Families of the Martyrs.)


20 years after his death, his "greatest hits" albums still sell by the thousands. The people of Turkey haven't forgotten him.

8 comments:

  1. I'm a Dylan fan. In college, we used to analyze the songs for evidence of homosexual references. His most prolific period came in the years before his motorcycle accident, a period which produced one of my top ten albums of all time, Blonde on Blonde: "You must tell me how your head feels under something like that / Your brand new leopard-skin pillbox hat." People forget how funny he could be. Yes, I'd love for you to do a Dylan countdown.

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    1. Thanks AFHI! I'm a Dylan fan too, in fact he's my favorite solo singer/songwriter of all time. Blonde On Blonde is in my all-time Top 10 albums too, with Highway 61 Revisited and Bringing It All Back Home following at a short distance away. Have a great day!

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  2. I was around 11 years old when Dylan started his public ascension so much of the content went right over my head. His singing also tended to grate on me but that's just from the perspective of a child. I came to appreciate his words and eventually his delivery as the two are inescapably intertwined and an important aspect of his genius. By all means, do a countdown of his songs. I don't lay claim to knowing anything much after Desire but I'm sure you will school me in that respect. Have a good weekend!

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    1. I discovered Dylan at 16, which was in the mid 70s and Desire was actually the first studio album of his that I had ever bought. I then went back in time and actually became more attached to his earlier rather than his later work. That doesn't mean that the list won't include songs from the 80s, 90s, and the 21st century. There are a lot of diamonds there too, but I guess the majority will be 60s and 70s.

      Being a lyrics-over-music person, I was powerfully attracted to his songs. His vocals were originally derided, but I think by now almost everybody acknowledges the uniqueness of his voice, a voice that is so ancient and yet so modern. I also loved his snark - he's throwing serious shade in some of his best songs. He also has a great sense of humor. And the pictures he paints with his words, definitely unique. I'll start as soon as the Stones' countdown is over - that will give me some time to prepare. A great weekend to you too!

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  3. Amidst all the attention his message songs get it's easy to forget he's written some beautiful, iconic love songs, too. Make You Feel My Love, if Not For You and Forever Young ( a different sort of love song) come to mind as well as many others.

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    1. These three will occupy prominent positions in my list, RM.

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  4. Regarding his voice, Dylan could get defensive. He once complained that he could sing any note Caruso could sing but he never got credit for having a great voice. I personally think nobody can sing Dylan like Dylan, but I don't like to hear him covering other people's songs. "Self-Portrait" is not high on my list of favorites.

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    1. I'm a 100% with you on this, AFHI! His songs' covers, as good as they sound in some cases, never surpass the original version. I do agree about him singing other people's songs though. He can be very good in old Folk and Blues stuff, but not in much else. I agree with you about Self-Portrait, also his latest, covering songs from the Great American Songbook, left me rather unsatisfied.

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