The black artist that is today's subject was known as
"The Godfather of House Music." The man who carries such an important
title was also gay. He was inducted into the Chicago Gay And Lesbian Hall Of
Fame in 1996. Ladies and gentlemen, here's Frankie Knuckles.
Francis Nicholls, better known by his stage name Frankie Knuckles, was
born in the Bronx, NYC, in 1955. As a youth, he became involved in Harlem's
ball culture as a dress designer, where he first met fellow designer and
lifelong best friend Larry Levan (also a gay man). The two became infatuated
with an idea of making the "music that would never stop" when they
met hippie DJ David Mancuso, the owner of members-only dance club The Loft, a minimally decorated space where "punch, fruit
and candy" were served in lieu of alcohol and music was processed by a
state-of-the-art sound system. Mancuso introduced Knuckles and Levan to
Manhattan's burgeoning underground downtown dance culture.
As an acquaintance of
Levan and Knuckles said, "You could only get into the Loft by private
invitation. This was not because Mancuso wanted to create an elitist
environment. He intentionally wanted to bring together diverse groups of gays
who wouldn't ordinarily party together to create a democratic, integrated
venue. David was powerfully attracted to black music and culture as well as
men, so this Loft party was instrumental in bringing together wealthy, white
gay men, many of them music executives, with this black musical dance culture
he adored."
Knuckles and Levan got
their start in DJing at the Continental Baths in NYC, as a replacement for the DJ from The Gallery, Nicky
Siano, who briefly employed both men as
decorators at The Gallery and taught them his pioneering three turntable
technique.
In the late 1970s, Knuckles moved from New York
City to Chicago, where Robert Williams, an old friend, was
opening what became the Warehouse club. When the Warehouse opened in 1977, he
was invited to play on a regular basis, which enabled him to hone his skills
and style. This style was a mixture of disco classics, unusual indie-label
soul, the occasional rock track, European synth-disco and all manner of
rarities, which would all eventually codify as "House Music." The
style of music now known as house was of course named after a shortened version
of the Warehouse.
He continued DJing at the Warehouse until November
1982, when he started his own club in Chicago, The Power Plant. Around 1983,
Knuckles bought his first drum machine. The combination of bare, insistent drum
machine pulses and an overlay of cult disco classics defined the sound of early
Chicago house music. A sound which many local producers began to mimic in the
studios by 1985.
Meanwhile, he also started recording music. You
Can't Hide was a Gamble-Huff song that he released in 1986.
Your Love, a Jamie Principle song, was a big club
hit in 1987.
At around the same time, another Jamie Principle
song, Baby Wants To Ride also made waves.
When the Power Plant closed in 1987, Knuckles
played for four months at Delirium in the United Kingdom. Chicago house artists
were in high demand and having major success in the UK with this new genre of
music. In 1988, he co-produced the Pet Shop Boys' song I Want A Dog.
In 1989 Frankie mixed Kevin Irving's Children Of
The Night.
Also in 1989, Knuckles presented Satoshi Tomiie's
Tears.
The Whistle Song (1991) was a big hit of his (#1 US
Dance). It would be considered his seminal work.
His big song for 1992 was Satoshi Tomiie's Rain
Falls and it featured Lisa Michaels, who also co-wrote the lyrics.
In 1995 he collaborated with Adeva. Here's Too Many
Fish.
At this time, Frankie
Knuckles had become a go-to remixer. Here are some of the songs that he
successfully remixed:
Here's fabulous Lisa Stansfield with Change:
Here's the Knuckles remix of Turn it Out by
legendary Patti Labelle. The song was on the soundtrack of gay cult film, To
Wong Foo Thanks for Everything, Julie Newmar.
Here's recent GayCultureLand subject Luther Vandross with Power
of Love/Love Power:
Here's another collaboration with the Pet Shop
Boys, Left to My Own Devices:
Here the tigress from Scotland, Lulu and Let Me
Wake Up In Your Arms (a Bee Gees composition):
Here's the great voice of Chaka Khan with the
mega-classic Ain't Nobody. It was a #1 US Dance hit in 1989:
Here's Frankie's mix of Love Hangover, Diana Ross'
disco classic:
Here's a mix of the huge hit Un-Unbreak My Heart by
Toni Braxton:
Here's Blind by Hercules & Love Affair, remixed
by Knuckles:
Knuckles didn't neglect all the mega-divas of his
era. Here he is, remixing Michael Jackson's You Are Not Alone:
Here's sister Janet Jackson's Because of Love:
And here's Million Dollar Bill by Whitney Houston:
In the mid-2000s, Knuckles developed type II
diabetes. On March 31, 2014, he died of complications from the disease in
Chicago at age 59. In April 2015, a year after his death, a
retrospective compilation was released, the tracklist for which had
been selected by Knuckles before his death. Also, the same month, as a tribute
to Knuckles, a version of his song "Baby Wants to Ride" was released
by Underworld and Heller & Farley to mark the year anniversary of his
passing. It went straight to number one on the UK's first ever Official Vinyl
Singles Chart. All proceeds went to the Frankie Knuckles Trust / Elton John
AIDS Foundation.
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