Carl Bean

Nearly 35 years before the release of Lady Gaga’s Born This Way, a Gospel singer turned Disco star, recorded a song bearing the same title, which became one of the era’s most important Gay anthems. That a Baltimore bred, African-American man, who came of age during the height of Civil Rights movement could so seamlessly wed the Gospel impulses of this nation’s most affecting social movement, with the nascent impulses of the GLBT movement—“Yes I’m gay/tain’t a fault ‘tis a fact/I was born this way”—should not be surprising. That Bean did so recording for Motown Records, a company that symbolized the push for Black integration and respectability in the 1960s and 1970s, should elicit some wonder.

Given the label’s commitment to Disco—even Marvin Gaye released “Got to Give It Up”—it would seem that Motown likely placed little significance on Carl Bean’s “I was Born This Way.” In fact, Bean’s version was the label’s second go-round with the song. The song, which was written by Bunny Jones, was initially recorded by an artist named Valentino and released independently by Jones. As the song topped the dance charts in England, Motown purchased the rights from Jones. When Motown botched the song’s promotion—and understandably so—Valentino’s version died, only to be resuscitated a year later by Bean, on a recording that featured veteran PIR and MFSB guitarist Norman Harris and Ron Kersey, who was a member of the Trammps (“Disco Inferno”), in an effort to give the song that PIR sheen.

Carl Bean was not new to the music industry; as an already out Black man, he began his professional  career in a Gospel troupe led by legend Alex Bradford. With the group, Bean had the opportunity to perform on Broadway in shows like Your Arms Too Short to Box with God and Don’t Bother Me I Can’t Cope. By 1974 he was fronting a group called Universal Love that was signed to the ABC/Peacock label. The group faltered, as Bean explains in his recently published memoir I Was Born This Way, because the group was “ahead of the curve. I was part of a movement looking to erase the line between R&B and gospel.”

Universal Love's album, which was called All We Need Is Love, came out in 1974. Here's the title track:

From the same album, here's Gotta Be Some Change:

... And here's Unhappy People:

Despite the album's lack of commercial success, Bean showed up on Motown’s radar because of Universal Love. According to Bean, in his first meeting with Motown executive Gwen Gordy, she admitted that her brother Berry thought “Bean would be perfect. It’s a message song with a gospel feel. Bean will tear it up.” Besides Harris and Kersey, Motown brought in Tom Moulton for an extended mix, that was marketed directly to Discos, since Black radio stations were unlikely to support the song, even from a valued label like Motown. In the book, The Fabulous Sylvester, DJ Leslie Stoval tells author Joshua Gamson that Sylvester was “informally blacklisted because he was gay…they weren’t ready to give this gay man his place. They didn’t want to deal with it.” Such was the environment that Motown and Bean faced. Nevertheless, without the support of radio, I Was Born This Way became a major club hit, that placed Carl Bean on the precipice of major success. Here it is:

With I was Born This Way, Carl Bean was in position to became everything that Sylvester became, and to their credit Motown was ready to make Bean its next major start, but with a caveat. After Bean signed with the label, he was given the opportunity to record an album that was initially intended for David Ruffin. As Bean recalls in his memoir, the “tracks were smoking-hot R&B. And the lyrics were all about love and ex—love and sex between a man and a woman.” As label executives promised Bean that he could become the next Teddy Pendergrass, he choose to walk away from the deal rather record as an heterosexual.

Bean eventually found another calling, one that led him back to the church and into the role as a prominent AIDS activist. The founder of the Unity Fellowship of Christ Church in Los Angeles (which was featured in the Marlon Riggs’ groundbreaking documentary Black Is, Black Ain’t), Archbishop Carl Bean has been an important advocate for many communities, providing one of the few Christian-based safe havens for Black LGBT communities and founding one of the first AIDS hospices in the country. For Bean, his sexual identity and faith were never at odds, as he explained in a 1978 magazine article that “it’s God’s way of making a statement through me… it’s something that should have been said a long time ago.”

Here's a video of Carl Bean discussing his life on the occasion of the publication of his autobiography, titled I Was Born This Way: