Today's story is dedicated to all my Australian
friends out there. It concerns an illustrious singer, songwriter, and
entertainer, who led a most interesting life. This is his story.
Peter Allen & Liza Minnelli |
Peter Allen was born Peter Richard Woolnough on 10
February 1944 at Tenterfield, New South Wales, Australia, elder of two children
of New South Wales-born parents Richard John Woolnough, soldier and grocer, and
his wife Marion Bryden, née Davidson. His grandfather, George Woolnough, was a
saddle maker, whom he later immortalised in the song Tenterfield Saddler
(1972). Raised in Armidale, Peter’s performing career began when he was eleven,
playing the piano in the ladies’ lounge of the New England Hotel. Allen's
father Dick - a war veteran - suffered from PTSD and drank heavily and
although mum Marion did her best to protect Peter and his sister, home was a
hostile place. Educated at Armidale High School, Peter left school after his
father committed suicide in November 1958, and moved to Lismore with his mother
and sister.
His father's suicide devastated Peter (just 13 at
the time) and it was also his sexuality that Allen struggled with, growing up
in conservative country NSW. Allen saw his dance classes with Jenny Godwin, his
childhood romance and lifelong friend, as an escape. "They used to call
him 'little poofter Peter Allen' and 'freckle face wallno'… Some of the people
were very unkind to Peter," Jenny recalled in a 2015 interview.
In 1959 he went to Surfers Paradise to look for
work and met Chris Bell, an English-born singer-guitarist of a similar age.
Assisted by Bell’s father, and inspired by the chart-topping Everly Brothers,
they formed a singing duo called the ‘Allen Brothers,’ making their debut at
the Grand Hotel in Coolangatta. Within a year they were based in Sydney, had
signed a recording contract, and reached a national audience through the
television program Bandstand.
Pretty Keen Teen (1960) was their first single to
chart in Sydney's Top 20 chart:
On February 1962, they released a cover of Neil
Sedaka's Happy Birthday Sweet Sixteen:
Also in 1962, they released a double A-sided
single. On one side was a cover of the Tony Bennett
hit of the 50's, Firefly:
... on the other side was Baby Loves Me:
The Allen Brothers toured Australia and Asia. In
1964, Mark Herron, Judy Garland's soon-to-be fourth husband, met Peter, so he persuaded
Judy to see him and Chris performing at the Hong Kong Hilton. Judy immediately
took to them and invited them to be the opening act for her upcoming concert
tour of the United States. Chris and Peter Allen, as they became known,
performed in American nightclubs for the rest of the decade.
Garland also introduced Peter to her daughter Liza
Minnelli. He came to New York in 1967, and he and Liza were married. They separated
in 1970 when Allen acknowledged his homosexuality, and were divorced in 1974.
Well, "acknowledged his homosexuality" is a quaint way of saying Liza
walked in on him as he was having sex with a man. As Liza herself later said, "Let
me put it this way: I'll never surprise anybody coming home again as long as I
live."
According to UK's The Telegraph, a not altogether reliable source, Herron carried on
a sexual relationship with Allen during their respective marriages to Judy and
Liza. The article, written on the occasion of Liza's fourth husband's (David
Gest, also gay) claim that "Liza Gave Me Brain Damage In Drunken
Beatings" during their marriage, remarks that Liza's grandfather, as well
as her father, were also closeted gay men. Considering that Judy and Liza are
also supreme gay icons, there are a lot of gay connections in that family.
I'll say more when I do the stories on Judy and
Liza. I should, shouldn't I? Back to Peter Allen, and 1967, when he and Liza
were still living the good life. Here are the two of them, along with Peter's
singing partner, Chris, in a performance for Australian TV of Ain't Nobody
Loves My Baby:
In
1968, Peter and Chris released their only album, simply called Album #1. Ten Below b/w Just Friends was the
first single from this album. Here's Ten Below (written by Kasha &
Hirschhorn, who would later win two Best Song Oscars for The Poseidon Adventure
and for Towering Inferno):
... and here's Just Friends:
The next single off the album was A Baby's Coming
b/w Francis Lai's A Man and a Woman. Here's the latter:
Also in this album, My Silent Symphony:
... and Waltzing Matilda:
In 1970, on top of his separation with Liza, Allen
also parted ways with Chris Bell and pursued a solo career. Initially
performing at small clubs in New York and Los Angeles, he released his
eponymous first album in 1971. Here he is, being interviewed and performing Honest
Queen and Dixie, from this album, on ABC-TV program 'GTK' - broadcast in 1971.
The album's closing track was the interestingly
titled Spit Before You Swallow (written by Roger Atkins & Peter Allen). Gay
liberation is name-checked in the song.
He made his Broadway debut on 12 January 1971, in Soon, a rock opera that opened at the
Ritz Theatre and ran for three performances.
In 1972 he released the album Tenterfield Saddler.
The title song was deeply personal, telling his family's story beginning with
his grandfather, the saddler, then his father and Peter's complicated
relationship with him, and finally his own grown up years. It's a beautiful
song.
Here is the song performed by Hugh Jackman, who, in
2003, starred in the Broadway stage version of a musical based on Peter's
life, The Boy From Oz, that originally opened in Australia in 1998. It was
the first Australian musical ever to be performed on Broadway.
Tenterfield Saddler was Allen's first Australian
hit. It may have peaked at a lowly #53, but its long-lasting popularity is far
greater. Just Ask Me I've Been There was another single off this album:
Meanwhile, Allen took up songwriting for other
people, on his own or with others, like Jeff Barry, or frequent collaborator Carole
Bayer Sager. It was a song that he wrote with the former that was his
breakthrough hit: I Honestly Love You, was sung by Olivia Newton-John, topped
the charts in the US, Australia, Canada, and Sweden, and won three Grammy
Awards in 1974.
Here's Peter's own version, which appeared on his
1974 album Continental American:
... and here's the title track from the Continental
American album:
Becoming more comfortable with his homosexuality in
the 1970s, Allen formed a long-time partnership with Gregory Connell, whom he
met in 1975. Connell was a fashion model from Texas who designed the sound and
lighting for Allen's shows.
Gregory Connell |
In 1976, Peter Allen released the album Taught By
Experts. It contained one of his best and better known hits: I Go To Rio. It's
a fun, lively number that hit the top of the charts in Australia. It was also a
hit in New Zealand, Brazil, France, Belgium, and the Netherlands. Gregory
Connell sings backup vocals.
Peter performed in Atlantic City and at Carnegie
Hall. He had three extended sold-out engagements at New York City's Radio City
Music Hall, where he became the first male dancer to dance with The Rockettes
and rode a camel during I Go to Rio. I don't have this version, but here's
another, later version on a July 4th TV special:
The album also included Quiet Please, There's A Lady
On Stage, dedicated to Judy Garland:
... which was also covered by the divine Dusty Springfield:
... also by the phenomenal Patti LaBelle:
... also by the amazing Ann-Margret:
Also from this album: The More I See You, a Top 10
hit in Australia.
... also This Time Around:
... also Back Doors Crying (backing vocals by Dusty
Springfield):
... also Six-Thirty Sunday Morning/New York, I Don't
Know About You:
... also Puttin' Out Roots:
... as well as She Loves To Hear The Music. I
couldn't find Peter's original version. But I've found Cher's cover version!
1977 was the year Allen's first live album, It Is
Time For Peter Allen, was released. From it, here's a live version of Tenterfield
Saddler:
In 1978 he appeared in a cameo role in the film Sgt. Pepper's Lonely Hearts Club Band. A
few months later, in 1979, his live version of Everything Old is New Again can
be heard on the soundtrack of the film All
That Jazz. During the same year, he starred in his own
one-man revue on Broadway at the Biltmore Theatre, Up in One: More Than a Concert, which ran for 46 performances.
Here's the scene from All That Jazz:
Also in 1979, another studio album was released.
This one was called I Could Have Been A Sailor. Here's the title track:
... here's the confessional Paris At 21:
... here's Don't Wish Too Hard:
... here's Two Boys:
... here's Angels With Dirty Faces:
Two songs that stood out in this album became big
hits for other artists. First, there was I'd Rather Leave While I'm In Love:
... which was a big hit for Rita Coolidge in 1979:
... and, just because it's Dusty ...
The other such song was Don't Cry Out Loud. First,
here's Peter's version:
Ann-Margret, who was a friend of Peter Allen, has
stated that the song's lyrics - though written by Carole Bayer Sager - reflect
Allen's own frame of mind: "He just kept everything inside... his personal
philosophy was 'Don't show anyone you're crying'."
However, even though it was his own composition, his
wasn't the original version: in 1976 he had given the song to the R&B group The
Moments to record. They changed the title to We Don't Cry Out Loud.
Peter Allen himself included a version of the song
on his 1977 live album It is Time for Peter Allen. In 1978, two hit versions
were released. The Melissa Manchester version made the Top 10 in the US and
Canada:
... and Elkie Brooks' version made the Top 20 in the
UK and Ireland:
... and just because, here's a live medley of Don't
Cry Out Loud & I Am What I Am by Dame Shirley Bassey in Atlantic City, 1990:
Allen's most successful album was Bi-Coastal (1980),
produced by David Foster and featuring the single Fly Away, which in 1981
became his only US chart single, reaching #55 on the Billboard Hot 100. In
addition, Allen co-wrote the Patti LaBelle hit I Don't Go Shopping, which
reached the Top 30 on the R&B chart in 1980.
Here's Fly Away:
... here's Patti LaBelle with I Don't Go Shopping:
... and here's Peter's original version:
One of his songs from this album, I Still Call
Australia Home, became popular through its use in television commercials,
initially for National Panasonic, and since 1998 for Qantas Airlines. This has
since become an unofficial anthem for Australians abroad.
The title track, Bi-Coastal, was a not-so-subtle
hint at the pleasures of bisexuality. Here are some of the lyrics:
Yeah, hit the streets at midnight
Still dancing after dawn
But something seems to be missing
Just what are you running from
Still dancing after dawn
But something seems to be missing
Just what are you running from
Do you like your love in the dark
Or laid out in the sun?
When you can't make up your mind
Don't you know what you've become
Or laid out in the sun?
When you can't make up your mind
Don't you know what you've become
...
All those girls on TV movies
All those boys on Broadway
When you can't make up your mind
You know you go either way
When you can't make up your mind
You know you go either way
Bi-coastal, miss the natural speed of the city
Bi-coastal, California's fine if you're pretty, oh yeah
Bi-coastal, miss the natural speed of the city, oh yeah, yeah
Bi-coastal, California's fine if you're pretty
Bi-coastal, California's fine if you're pretty, oh yeah
Bi-coastal, miss the natural speed of the city, oh yeah, yeah
Bi-coastal, California's fine if you're pretty
Bi-coastal, when both are so much fun
Tell me why do you have to pick, why do you have to pick
Why do you have to pick one?
Tell me why do you have to pick, why do you have to pick
Why do you have to pick one?
... and here's the song:
One Step Over the Borderline was the 4th single from
this album:
This is a tender song called Simon:
... and this is Somebody's Angel:
In 1982 (with Burt Bacharach, Carole Bayer Sager,
and Christopher Cross) he won an Academy Award as well as the Golden Globe for Best
Original Song, for Arthur’s Theme (from the film Arthur, starring Dudley Moore
and Liza Minnelli). Christopher Cross took the song all the way to the top of
the charts in the US and Norway. It also made #2 in Canada, #5 in Italy, #6 in
Switzerland, #7 in the UK and Ireland, #10 in New Zealand, #13 in Australia, and
#14 in Spain.
This is Peter's version:
In 1983 Peter released another album, called Not The
Boy Next Door. Here's the title track:
... and here's Chris Colfer covering the song for Glee:
... here's You Haven't Heard the Last of Me:
... here's Once Before I Go:
... this is You And Me (We Had It All):
... and this is Frank Sinatra's version, which had
been already released in 1980, and was titled, You And Me (We
Wanted It All):
... from the same album, here's Just Another
Make-Out Song:
... and here's Easy On The Weekend:
1984 was a terrible year for Peter; he lost his
lover to the curse of the 80s and 90s: Gregory Connell died from an
AIDS-related illness at their home in California. Peter himself was fighting
against the same disease; he was infected too.
In 1985, Allen recorded a live album called Captured
Live at Carnegie Hall where songs from his musical Legs Diamond, were previewed. Legs Diamond opened on Broadway at
the Mark Hellinger Theatre on 26 December 1988, with a book co-written by
Harvey Fierstein. The musical ran for 64 performances and 72 previews.
From this album, here's Only Wounded:
... here's All I Wanted Was The Dream:
... and here's Knockers, from the Legs Diamond musical:
Allen performed on Australian television for many important
occasions; in front of Queen Elizabeth II in 1980 at the Sydney Opera House,
before Prince Charles and Princess Diana, once in Melbourne and again in Sydney
in 1981, at the opening of the Sydney Entertainment Centre in 1983, where he
unveiled for the first time his Australian "Flag" shirt, and the 1980
VFL Grand Final in Melbourne. His "Up in One Concert" of 1980 was a
big ratings success across the country. When Australia won the America's Cup in
1983, he flew to Perth to sing before an audience of 100,000. In 1988, he
opened for Frank Sinatra at Sanctuary Cove, Queensland. In America, he appeared
at the 30th anniversary of Disneyland.
Peter's last studio album, with the movingly
appropriate title Making Every Moment Count, was released in 1990. This is a
live version of the opening track, called Tonight You Made My Day:
The title track was a duet with Melissa Manchester:
When I Get My Name In Lights was originally a duet
with Harry Connick Jr.. This is a live version:
This is I Could Marry The Rain:
This is Love Don't Need A Reason:
... and this is I Couldn't Have Done It Without You:
Shortly before his death from an AIDS-related throat
cancer, Peter Allen gave his last performance in Sydney on 26 January 1992. He
was cremated, and his ashes were scattered at sea.
A documentary titled The Boy From Oz about Allen was produced after his death, featuring
clips from his performances as well as interviews with performers who worked
with him. In 1998, as I have already mentioned, a stage musical based on his
life, also titled The Boy from Oz, opened in Australia, to successfully open in
Broadway 5 years later with Hugh Jackman, who won a Tony Award for his
portrayal in 2004. A TV mini series, Peter
Allen: Not the Boy Next Door, which I recommend was broadcast in Australia
in 2015. Here's the trailer from it:
I will close as I opened, with the words of Jenny
Godwin, his childhood romance and lifelong friend:
"I met his boyfriend Greg and Greg was lovely.
I really believe with all my heart Peter loved Greg deeply… but Peter loved
everyone."
What an incredible loss to music! These songs really hold up well.
ReplyDeleteHello Alan! These were my thoughts exactly while I was doing my research. I haven't heard his well-known songs for years - and some of the others not at all until now. They do hold up well.
DeleteI'm hoping to pick up a copy of "Peter Allen: Not the Boy Next Door" when I'm in London next week. It features Andrew Lees (Lucien on "The Originals") as Greg Connell. And thanks for all the Dusty references. An embarrassment of riches!
ReplyDeleteHave a great time in London, Alan! I hope you find "Peter Allen: Not the Boy Next Door", it's worth watching. An embarrassment of riches indeed, from a man who was gone too soon, more so Greg Connell. I dedicated this story to our Australian friends, but I might as well have dedicated it to the lost generation of our brothers to AIDS, especially in the 80s and 90s. It still hurts. I guess it always will...
Delete