There
are more changes in this week's statistics, but we'll get to that in a while.
Firstly, let's count down the top songs of Bob Dylan.
At
#48 is the song that announced to the world that Dylan had shed his folk poet
laureate skin and went electric. The folk crowd booed and whistled, but Bob
never looked back.
The
song with which he opened his debut electric set at the 1965 Newport Folk
Festival, was in fact a folk song: a riff on the evil boss-man tune Down on
Penny's Farm, by
1920s folk band The Bently Boys. In its studio version, Maggie's Farm was a
swinging country rocker, but the Newport take wasn't so jolly. Over lacerating
guitar, Dylan declared, "I try my best/To be just like I am/But everybody
wants you/To be just like them."
The
song, essentially a protest song against protest folk, represents Dylan's
transition from a folk singer who sought authenticity in traditional song-forms
and activist politics to an innovative stylist whose self-exploration made him
a cultural muse for a generation. On the other hand, this biographical context
provides only one of many lenses through which to interpret the text. While
some may see Maggie's Farm as a repudiation of the protest-song tradition
associated with folk music, it can also (ironically) be seen as itself a deeply
political protest song. We are told, for example, that the "National
Guard" stands around the farm door, and that Maggie's mother talks of
"Man and God and Law." The "farm" that Dylan sings of can
in this case easily represent racism, state oppression and capitalist exploitation.
Dylan's defiant tone later inspired Barack Obama,
who cranked the song to steel himself during the 2008 election. "I've got
probably 30 Dylan songs on my iPod," he told Rolling Stone. "One of my favorites during the political
season is Maggie's Farm."
The
original studio version, from one of Dylan's greatest albums, Bringing It All
Back Home (1965), is nowhere to be found, but the electric version from the Newport
Folk Festival is, and it's every bit as good, if not more:
Here's
a good version by Rage Against the Machine:
At
#47 is a song from a year earlier: With God on Our Side was the third track on The Times They Are a-Changin' (1964). The
song has nine eight line verses all questioning America’s involvement in
various wars. Music critic Tim Riley once wrote: "With God on Our Side
manages to voice political savvy mixed with generational naivete" as it
"draws the line for those born long enough after World War I to find its
issues blurry ('the reasons for fightin'/I never did get') and who view the
forgiveness of the World War II Germans as a farce."
Tom
Morello (of Rage Against the Machine
and Audioslave) wrote:
"I may be the last person alive who still
believes that Dylan sold out at Newport in 1965 when he went electric. The
pressure was on to lead a movement, something he didn't sign up for and wasn't
interested in. I think he missed an opportunity to see if there was a ceiling
to what music could do to push forward radical politics. But he came close with
With God on Our Side."
"I never knew how politically radical Dylan
was until I got The Times They Are A-Changin'. He was 22 but sounds like
he's 80, like this wizened guy who's had a long life as a vigilante, croaking
out songs of hard truth. But With God on Our Side is not some historical relic.
It is a living exposé of war crimes, past, present and future. Dylan lays bare
the hypocrisy of war and unmasks the whitewashing of our military ventures.
He's singing about the people who make war, profit by it, and the families that
send children to die. "You don't count the dead when God's on your
side," he sings. "And you never ask questions when God's on your side."
From shock-and-awe to Abu Ghraib to the morass in Afghanistan, those phrases
can very much be applied to our exploits today."
Here's the original, majestic version:
Here's a shortened version that he sang live at the
BBC, during his visit to Great Britain.
Here's an awesome version by the great Odetta:
At #46 is a recent song: Time Out of My Mind (1997)
is one of his best post-70s albums and Love Sick is one of the album's three
best songs. A Blues song with echoes of Americana, it once more brings forth
Dylan's ambivalent feelings towards romantic love. On the one hand he claims to
be love sick in the sense of being infatuated with someone who wants nothing to
do with him, and on the other he is love sick in the sense that his desire for
the person is making him feel ill.
It was the
album's second single, and the song that Dylan performed at the 1998 Grammy
Awards. This is the video from that performance:
Here's a good cover version by The White Stripes:
Now to our weekly statistics. The two Oscar stories were
wildly popular, while Martin Del Caprio keeps getting a great number of visits,
finishing third for this week, and already being April's top story.
As far as countries are concerned, this week's big
winners were (again)
France, the United Kingdom, and
Belgium. That actually caused changes in the all-time Top 10: while France
consolidated its rise to #3, the United Kingdom, for the first time in months,
overtook Russia and settled at #5. The way it's moving, if I were Germany, I
wouldn't feel too safe at #4. Also Belgium has overtaken neighbouring Netherlands
and entered the all-time Top 10 for the first time (I think). Congrats to all! Here
are this week's Top 10 countries:
1.
the United States
2.
France
3.
the United Kingdom
4.
Greece
5.
Belgium
6.
Cyprus
7.
the United Arab Emirates
8.
Italy
9.
Germany
10.
Canada
Here
are the other countries that graced us with their presence since our last
statistics (alphabetically): Argentina, Australia, Austria, Brazil, Bulgaria, Chile,
China, Colombia, Czechia, Denmark, India, Indonesia, Ireland, Israel, Jamaica, Japan,
Kenya, Mexico, the Netherlands, New Zealand, Peru, Philippines, Poland, Portugal,
Romania, Russia, Saudi Arabia, Singapore, Slovakia, South Africa, South Korea, Spain,
Sweden, Switzerland, Turkey, Ukraine, and Vietnam. Happy to have you all!
And
here's the all-time Top 10:
1.
the United States = 50.03%
2.
Greece = 8.9%
3. France = 6.9%
4.
Germany = 5.6%
5.
the United Kingdom = 4.8%
6.
Russia = 4.6%
7.
the United Arab Emirates = 1.02%
8.
Italy = 0.96%
9.
Cyprus = 0.86%
10.
Belgium = 0.63%
That's all for today, folks. Till the next one!
Hope you got a lot of pretty eggs for Easter John! Here's another artist you may want to research if you're not already familiar:
ReplyDeleteyUYW2iwimBw
and his biggest hit:
oZnwLamCia4
WTF?! With Little Richard, Bobby Marchan and now this guy, was their a sub-set of cross-dressing R&B singers in the early 60s and how did I not know this? There's got to be a great story there.
Unfortunately I was down with gastroenteritis, RM, so it was plain boiled rice for me... I wasn't even aware of Jackie Shane, thanks a million for introducing him to me.
DeleteYou know what I've noticed in my research? Most white American artists before the 70s were deeply closeted. It was the black American artists that were braver, even as far back as early 20th century. I wonder why that was?
I want to say it has something to do with white vs black culture but then how do you square that with the black church and the virulent, anti gay sentiments? Maybe gay black men in those days were already dealing with institutionalized bigotry in general so being gay was just another brick on their back? Or maybe they're more in touch with their feelings. Just conjecture on my part since I have no first hand knowledge but it is something, no?
ReplyDeleteAnyway, I hope you're doing better. Stomach trouble sucks.
These are all valid thoughts, RM. I would also add that it's perhaps harder to let go of the straight white male privilege, so white men who could pass as straight (even those who couldn't, i.e. Liberace), held onto it for dear life. To quote a song that I love: "freedom is another word for nothing left to lose."
DeleteRM, I've just discovered this and fell in love with it, so I wanted to share with you and all my other friends here:
Deletehttps://www.youtube.com/watch?v=fnrEIb3wxj0