Told
Slant is the songwriting project of Felix Walworth, Brooklyn based lyricist,
producer, and founding member of The Epoch arts collective. Felix is gender
non-comforming or non-binary if you prefer, using pronouns they and them, so
that's what we'll be using as well. Walworth started the project in 2011 as a
means of marking a stylistic shift in their songwriting, specifically a shift toward
understated, ambling arrangements and simple, illustrative lyrics.
A
multi-instrumentalist who focuses on drums, Walworth grew up in a musical
environment with father Danny Walworth, who drummed alongside guitarist
Thurston Moore in the pre-Sonic Youth group the Coachmen. Those of you who
don't know Sonic Youth, here's Teenage Riot from their classic album Daydream
Nation:
The
younger drummer started Told Slant as an undergraduate at Bard College.
Walworth's intimate and delicately off-kilter first LP, Still Water, was
self-released in 2012. From this album, here's an interesting song called In
San Francisco:
Each
phrase of the album is less sung, more choked out as best they can manage it,
while they create songs as a means of catharsis for all the things they are
going through. This raw emotion in the performance gives each track on Still
Water a confessional quality, helped along by a very close-mic recording. Lack
is one such song.
Ohio
Snow Falls is one of the punchier songs:
“I
am so fucked up” he concludes on Sleep In. There’s a feeling in the lyrics
which is almost like a stream of consciousness: the dark thoughts creeping to
the surface and crawling all over your mind like cockroaches, scuttling back
into the shadows, but never really going away.
Listening
to them, I'm really reminded of Velvet Underground. They were the insipration
for so many acts after them... As Brian Eno had said: “The first Velvet
Underground album only sold 10,000 copies, but everyone who bought it formed a
band”. We'll get to deal with Velvet Underground more extensively soon.
Though
Told Slant functions more like a “solo project” in its recorded state, its live
incarnation is arranged and performed by Walworth and Epoch co-collaborators
Emily Sprague of Florist, Oliver Kalb of Bellows, and Gabrielle Smith of
Eskimeaux. Since the release of Still Water, they have toured extensively, slowly
developing a very devoted fan base. No records were released in the meantime,
until a few months ago, when their 2nd album Going By was released.
Walworth’s
voice revels in its own messy excess, repurposing vocal
transgressions into fundamental elements of their singing style. On Low
Hymnal, conscious claiming of the queer body’s deviance (“still my
body will be an illegible one,”) allows their voice to so powerfully
transmit the extensive trauma that queer bodies magnetize.
In
Green Nail Polish they say:
I
don't want to make my bed for anyone
I
don't want to spread my legs for anyone
I
like to make my breakfast alone
walk
myself to the store
and
then back to the porch
you
liked my green nail polish
and
I liked your short black mullet
it
wasn't love but I don't know what to call it
Tsunami
begins with a gravelly mumble of “I want to be a good sky on bad day” before
choking a register higher into “and today was a bad day.” The weary lyrics bare
an “old soul” demeanor.
The
lyrics get even bleaker in Sweater:
Talking
used to pass the time
And
smoking used to pass the time
But
talking became a waste of time
And
smoking became a waste of time
And
my life became a pantomime
Of
my life when I liked to be alive
That
slippage from comfort to desolation and companionship to solitude is the space
Told Slant’s music inhabits. It's not a comfortable place to be, but it feels
real.
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