Thursday, 2 June 2016

Culture Club - Boy George


The Culture Club were formed in 1981 and their name refers to their varied backgrounds: a cross-dressing Irish singer (Boy George, born George Alan O'Dowd) on lead vocals, a black-Briton (Mikey Craig) on bass guitar, a Jewish drummer (Jon Moss) and an ethnic Englishman (Roy Hay) on guitars and keyboards. George was the founder and public face of the group. A gay man who was never actually in, but still his coming out came in doses and was completed in the 90s. Mikey was the first one to join him in the formation of Culture Club. Roy was the one who later helped George give up heroin. As for Jon, he and George were secret lovers.


It seems that this love affair was the heart of the group: when everything went well it gave them the energy to shine, when they had their troubles it gave George inspiration for his lyrics and when they broke up it was more or less the end of the group.

Their first hit single, Do You Really Want To Hurt Me, was written this way: George responding to his feelings for Jon. It paid off: #1 in Germany, Ireland, the UK, Canada, France, Australia, Austria, Sweden and Switzerland, #2 in the US, Italy, Denmark, Norway and New Zealand.


The follow up, Time (Clock Of The Heart), possibly my favorite Culture Club song, was also a huge worldwide hit, going Top 5 in all major markets.


Their next single, I'll Tumble 4 Ya was only released in North America, making #9 in the US and Canada. That made Culture Club the first group after the Beatles to have 3 Top 10 hits in the US from their debut album (Kissing To Be Clever).


Church Of The Poison Mind was the lead single from their 2nd - and most successful album - Colour By Numbers. There was a pleasant R&B vibe about it, a tip of the hat to Motown of the 60s. It too was a big international success.


Their next single, however, was to be their biggest: Karma Chameleon was released late 1983 and its subject, according to Boy George "is about the terrible fear of alienation that people have, the fear of standing up for one thing. It's about trying to suck up to everybody. Basically, if you aren't true, if you don't act like you feel, then you get Karma-justice, that's nature's way of paying you back."

The song was their only #1 in the US, spending 3 weeks at the top. In the UK it spent 6 weeks at #1 and became the biggest-selling single of the year 1983. It also made #1 in Ireland, Spain, Canada, Australia, the Netherlands, Belgium, Sweden, Norway, Finland, New Zealand, South Africa and Switzerland. It made #2 in Germany, #3 in Austria, #4 in Italy and #5 in France. The song eventually sold over five million copies around the world.


The follow up, a lushly produced, beautiful ballad called Victims, was also inspired by the ups and downs of George's and Jon's relationship. It was only released in certain European countries and Australia and was a big hit, even though it failed to get to #1.


The next single followed a similar pattern, in that it was only released in the Americas, Australia and Japan. Miss Me Blind was their biggest R&B hit (#5 in Billboard's Soul chart) and also #5 in the Hot 100. I was also a big club hit.


It's A Miracle was the last single from Colour By Numbers (a sizeable hit) and The War Song was the lead song off their next album, Waking Up with the House on Fire. Although both the song and the album went to #2 in the UK, neither the song nor the album were on par with the group's earlier work. The best thing about the song were Clare Torry's backing vocals. She was the singer who created magic in the song The Great Gig In The Sky from a slightly obscure album called Dark Side Of The Moon. Listen to The War Song and judge for yourselves:


The album failed to produce any more sizeable hits and 2 years later, in 1986, their fourth album, From Luxury To Heartache, hit the stores. Although it did produce one hit, Move Away, the album was their lowest-selling yet. Amidst decreasing popularity, George's drug use and the final chapter of the G&J love affair, the group decided to call it quits. Here's Move Away, which was actually good:


The group briefly reunited in 1998 and had a UK Top 5 hit with I Just Wanna Be Loved, but the album they released went nowhere fast. The reunion didn't last long. Here's I Just Wanna Be Loved:


Boy George tried having a solo career, which was hindered by his drug use and the legal issues he had to frequently deal with. His albums didn't set the world on fire, but he had some quite interesting singles.

Everything I Own was the song that David Gates wrote to express his feelings over the passing of his father. (Personal note: I listened to the original version of the song dozens of times after the untimely passing of my own father). It appeared in Bread's 1972 album Baby I'm-a Want You. 2 years later, Ken Boothe recorded a reggae cover of the song, which went to #1 in the UK. In 1987, Boy George recorded his own version and it too went to #1 in the UK, as well as in Ireland and Norway. (#2 in Italy and Belgium, #4 in Germany and the Netherlands).


A year later he recorded No Clause 28 which was a minor hit. It is remarkable though, because it's one of the few times that George took a strong stand in gay politics: Clause 28 was voted by Thatcher's government and stated that a local authority "shall not intentionally promote homosexuality or publish material with the intention of promoting homosexuality" or "promote the teaching in any maintained school of the acceptability of homosexuality as a pretended family relationship". George's voice was one of many who tried to protest. Still, the Clause remained for 15 years, until it was repealed in 2003. Here's the song:


Finally, in 1992, George sang the theme song to the superb film and certified gay classic, The Crying Game. The song peaked at a respectable #15 in the US, #16 in Italy and #22 in the UK.


George has also been a very successful DJ in clubs around the world. Last year he was in the panel of judges for The Voice UK.

Wednesday, 1 June 2016

Pet Shop Boys part 2


Yesterday, we spent a lot of time with the 80s output of the Pet Shop Boys. It was worth it, though. I think. Today, let's speed it up a little: We'll feature three songs from the 90s, two from the 00s and one from the 10s.


First up, from 1990, Being Boring. Featuring a very sexy video, it's one of their best songs and a very personal one for Neil: "For me it is a personal song because it's about a friend of mine who died of AIDS, and so it's about our lives when we were teenagers and how we moved to London, and I suppose me becoming successful and him becoming ill."


In 1993 they released an unexpected cover of the Village People's Go West. The song featured a tongue in cheek, impressively shot video. It was to be their biggest hit after the 80s. #1 in Germany and Ireland, #2 in the UK, Sweden, Switzerland and Austria, #5 in the Netherlands and a gold record in Australia. Here's the long version:


In 1999 they released New York City Boy. The song has become a gay club anthem. It hit #1 in the US Hot Dance chart. The video features scenes taken in Studio 54.


You Only Tell Me You Love Me When You're Drunk was released in 2000. It was another UK Top 10 for them. I like the lyrics:

What a performance tonight
Should I react or turn off the light?
Looks like you're picking a fight
In a blurring of wrong and right

How your mood changes
You're a devil, now, an angel
Suddenly subtle and solemn and silent as a monk
You only tell me you love me when you're drunk

It's better than nothing, I suppose
Some doors have opened, others closed
But I couldn't see you exposed
To the horrors behind some of those

Somebody said, "Listen, don't you know what you're missing?
You should be kissing him instead of dissing him like a punk
You only tell me you love me when you're drunk

All of my friends keep asking me
Why, oh, why, do you not say goodbye?
If you don't even try, you'll be sunk
Cause you only tell me you love me when you're drunk

What's the meaning when you speak with so much feeling?
Is it over when you're sober? Is it junk?
You only tell me you love me when you're drunk


Flamboyant (2004), examines the excesses of fame:

You live in a world of excess
where more is more
and less is much less
A day without fame
is a waste
and a question of need
is a question of taste

You're so flamboyant
The way you live
You really care that they stare
And the press deployment
is always there
It's what you do for enjoyment


Finally, from the album Elysium (2012), a wistful disco tune that takes us back to the music and gay scenes of the 70s and 80s, reflecting on times gone and people lost. It's Requiem in Denim and Leopardskin.

I thought it was like a film
reviewed but never seen
where everybody played themselves
as a drama king or queen
The music was overwhelming
glittering and thin
solemn and shabby like a requiem
in denim and leopardskin

I visualised the flashbacks:
school, punk rock, success
parties, too much of everything
the clichés, the candles, the mess

Johnny's wearing brothel-creepers
Malcolm's round the block
Adam's in a Jarman film
The look is "Let It Rock"
A Johnson's leather jacket
Hair by Keith at Smile
All you need to make it big
is sex and style

This is our last chance for goodbye
Let the music begin
Shining and soaring like a requiem
in denim and leopardskin


The Pet Shop Boys' latest album, Super (they always have one-word album titles) was released a couple of months ago. It received stellar reviews and it made #1 in the US Dance chart, #2 in the Czech Republic, #3 in Germany & the UK, #4 in Switzerland, #7 in Spain, #8 in Austria & Finland, #10 in Sweden, #12 in Australia, #13 in the Netherlands, #16 in Ireland and #20 in Italy. I don't think that Neil and Chris consider retirement just yet.