Today's presentation concerns a group that began as
the solo effort of just one man, Ed Droste, in the early
00s. This man happens to be gay.
Droste was born in Massachusetts, on October 22,
1978. Through his mother's Forbes line, he is related to singer China Forbes
(Pink Martini). He attended Hampshire College for one year in 1999 before
transferring to and graduating from New York University's Gallatin School of
Individualized Study in 2003.
He has always been very open about being gay. In a
recent interview for Esquire, he said:
"I remember the moment I realized I was gay. I
was watching Growing Pains when
Leonardo DiCaprio was on, and I was attracted to him. I'm roughly his age, so I
was probably thirteen. I had a pang of attraction, and my next reaction was Oh,
shit. It wasn't fear. I was just like, Fuck. I've got to deal with this
now. Goddammit. But I decided to put it on the back burner. Literally, I
made a conscious decision: I'm ignoring this. Chill. I'll deal with it
later, once I get through high school."
"I came out late - I was twenty-one. I don't
fully know why I wasn't comfortable with it. I was holding on to some perceived
notion of normalcy. I guess that meant kids and a wife. There's this impulse: I'm
just going to do it like you see everyone do it. Plus, there was just a
general discomfort in my own skin and body, which is a common denominator for a
lot of people."
"I started Grizzly Bear, my band, at
twenty-four, and I never tried to hide my sexuality. The interesting thing
about being constantly out is that it was never an issue. It never came up in
interviews. I still think to this day a majority the band's fans have no idea."
In 2004, Droste released Grizzly Bear's debut
album, Horn of Plenty. Predominantly a solo album, Horn of Plenty featured
contributions from future drummer Christopher Bear. Rolling Stone magazine
wrote of the first album, "the pure atmospheric power of the songs is more
than enough to hypnotize."
Here's Don't Ask:
I fell into your arms that night
Don't ask
It's the time we had apart to sort things out
Just don't ask
It's the work you saying you're doing
But baby, I don't even ask
It's the love that came undone between us
and nobody ever asks
There's a place and time for everything I know
Here's Campfire:
You made a
campfire, I put it out
Let the long
johns, fall down
Around your
ankles and your toes
I know what I
want to see
Lay there by
the fire
Droste and Bear
were subsequently joined by bass guitarist and producer Chris Taylor, and
performed four shows together as a three-piece. Regarding these shows, Droste
noted, "We've never played without the four of us, really. The first
couple shows we did before we knew Dan [Rossen], we did with three of us and
they kind of sucked. From the get-go, when we were trying to put together a
live show, that's when we discovered our sound and that's why I think that was
the beginning of the band."
Guitarist and
vocalist Daniel Rossen, a friend of Bear's from jazz-camp, joined the band soon
after. Rossen stated, "For a long time, I only played my songs to close
friends; and it just happened that I lived with Chris Taylor during my second
year of college, so he heard them. He was my entrance into Grizzly Bear. He joined
the band first, then after a while he suggested I come in with these songs.
[...] When I joined, I did about two rehearsals with them, worked out one of my
songs to put into the set, then a week later we were out on the road for a
two-month tour. It was a real trial-by-fire thing. I was close with Chris and
Chris [Bear], but I didn’t know Ed [Droste] at all; it was weird getting to
know a stranger by spending all day in the same car."
Their first
album as a proper band, Yellow House, was released in 2006. On this album,
Grizzly Bear takes a dramatic leap forward, delivering a collection of songs
that sound awe-inspiringly huge and intimate at the same time. While the album
is overall more polished and focused than their debut, nowhere is this
(literally) clearer than in the production. No longer lo-fi, the album's warmth,
clarity, and symphonic depth gives the band's widescreen Psychedelic Folk-Rock
a timelessness that makes it seem even more dreamlike and unique.
Easier opens
the album with a gently exciting buildup of woodwinds, banjo, and acoustic
guitar that could soundtrack the dawn of a late summer morning.
Knife was
released as the album's first single on May 21, 2007. It was ranked #109 on
Pitchfork Media's list of the top 500 tracks of the 2000s. Describing the song,
reviewer Brian Howe wrote: "There are just a few words, inscribed in a
lavish script on the harmonies; a handful of chords. But a whole host of
sensations pour through them, and not just emotional ones: The guitars prickle
and clutch; the refrains scale ear-popping altitudes. You can, it turns out,
feel the knife."
Central and
Remote moves seamlessly from fragile marimba melodies to acoustic guitar-driven
verses and towering choruses.
Plans feels
like a more brooding take on the High Llamas' intricate, Symphonic/Electronic
Pop. It's also gay themed:
Juan from
Argentina
Such a strange
predicament we find ourselves in
Baby, it's a
long way to South America
Every option I
have costs more than I've got
If you trust in
me, if I could I would be there
Concerning
gay-themed lyrics, in a 2007 interview in AfterElton, Ed said: "I kind of
like vague lyrics. Sometimes they are gay, but they’re not overt. (...) Reprise
(My Love’s Another Kind) could be interpreted that way, and I think (lyrics
writer Rossen) is very open to that interpretation, too, even though he was
thinking of it as something else. That’s why I relate to it when I sing those
lyrics, because I’ll sing those parts with him on the song. I think we all are
into the vague nature of it."
The album
received critical acclaim from several major publications, and ranked #8 in
Pitchfork Media's best albums of 2006 list, as well as a similarly high
placement in the same list of the New York Times. The music webzine Tiny Mix
Tapes ranked Yellow House #7 on the Top 25 Albums of 2006.
On November 5,
2007 they released the EP called Friend. It included a cover version of The
Crystals' He Hit Me (And It Felt Like A Kiss):
Their next
album, Veckatimest, released on May 26, 2009, was their first one to become a
mainstream commercial hit. Produced by bassist and multi-instrumentalist Chris
Taylor, the album entered the US Billboard 200 at #8. By September 2012, the
album had sold around 220,000 copies in the US. It also went silver in the UK. The
album is named after Veckatimest Island, a small island in Dukes County,
Massachusetts.
The band hints
at the just how big the album's scope is with its first two tracks: Southern
Point's Psychedelic Folk-Jazz throws listeners into its bustling acoustic
guitars, piles of vocal harmonies, swishy drums, and various sparkling sounds,
making it a disorienting and dazzling opening salvo.
The gorgeous
Two Weeks, by contrast, is the album's most immediate moment, its "Would
you always? Maybe sometimes? Make it easy? Take your time" chorus
teetering elegantly between pleading and reassuring as it's buoyed by backing
vocals courtesy of Beach House's Victoria LeGrand.
The elaborate,
quicksilver suite I Live with You builds from the Brooklyn Youth Choir's vocals
into skyward-climbing Chamber Pop.
The final track
of the album is Foreground which, with its plaintive vocals and simple piano
melody, is one of the band's most beautiful ballads yet.
Grizzly Bear
were gone for a few years after Veckatimest, but the amount of extracurricular
projects they tackled during that time - Chris Taylor's work with CANT, Daniel
Rossen's solo EP Silent Hour/Golden Mile, and the band's reconfiguring of their
own songs into the Blue Valentine soundtrack - means they never really went away.
Their next (and so far their latest) album was Shields, released on September
18, 2012. The album received acclaim upon release. Shields reached #7 on the
Billboard 200 and #17 on the UK Albums Chart.
At Metacritic,
which assigns a normalized rating out of 100 to reviews from mainstream
critics, the album has received an average score of 86, based on 36 reviews,
indicating "universal acclaim". Pitchfork Media's Lindsay Zoladz gave
the album a Best New Music designation, writing "While there's no question
that Grizzly Bear's last two records have sounded gorgeous, critics of the band
have wondered if that's enough. Shields, the band's fourth and most
compositionally adventurous record, should put those concerns to bed. Though
full of baroque, detail-rich production and latticework melodies, Shields also
offers an emotionally resonant core."
Sleeping Ute is
the opening track, as well as the first single from Shields. Acoustic guitars
that sound more like they're being scrubbed than strummed tumble into bubbling
synths, which then give way to rhythms that conjure leaves twirling in the
breeze.
This is the Nicolas Jaar Remix:
Speak in Rounds may be the most rocking
song they've done yet, even if it climaxes with rustling brass and flutes
instead of a shredding guitar solo. This is a live version from End Of The Road
Festival 2012:
The album's second single was Yet Again. Upon
the single's release Pitchfork Media awarded the song "Best New
Track", stating "With the Droste-led Yet Again, [Grizzly Bear]
suggest an arena-sized side of their ever-expanding sonic arsenal. Droste's
vocal, soft and intimate as ever, suggests an affinity with the broad emotional
palette of former touring partner Thom Yorke."
Gun-Shy is yet another jewel of a song:
Half-Gate is a song of pure melodic beauty:
The album's closing number is the exquisitely
serene Sun in Your Eyes:
On September 17, 2013, the track Will
Calls (Marfa Demo) was debuted, together with the announcement of two expanded
Shields re-releases, followed by the song Listen and Wait (Bonus Track) on
October 30. The re-releases, Shields: Expanded and Shields: B-sides, were released
on November 11, 2013 and include eight B-side remixes, five unreleased songs,
and three remixes.
Following the completion of the Shields
tour, Daniel Rossen embarked upon a solo tour performing tracks from his debut
EP, and his other band, Department of Eagles. During the tour, Rossen commented
on the future of Grizzly Bear, stating: "We don't have a clear plan. We
tend to like to let the records come together naturally. I think everyone wants
a little bit of a break and everyone's scattered around the globe. I think towards
the end of the year, if it feels natural, we'll start again." In a more
recent interview with Rolling Stone Magazine, singer Ed Droste explains that a
new album is in the works. Unlike the recording process for Shields, where
Grizzly Bear ensconced themselves at studios in Marfa, Texas and Cape Cod,
Massachusetts to construct a truly collaborative album, Droste says the
creative process now will be "more fractured." While two members
still live in New York, the other half, including Droste, have traded coasts
and now reside in Los Angeles. As of June 2016, Droste has been working on the
next album with the rest of Grizzly Bear.
As far as his personal life is concerned, In
September 2011, Droste married his long-time boyfriend, interior designer Chad
McPhail. On August 4, 2014, Droste announced his divorce from McPhail via
Twitter, stating that he's "amicably and lovingly divorcing [his]
husband".
He also said: "I was married and
divorced, so I've gone through the full cycle of marriage equality. It was not
the best move for me, but I don't think that necessarily has to do with me
being gay. I just think relationships work and then they don't. That's a
universal thing."
"I've noticed a lot of gay men now
saying, "We don't even need marriage." The new trending thing is to
just say, "Oh, God, you're getting married? Please. You're just trying to
conform to society." What was the point of fighting for it, then? Why
don't you be supportive and shut up? If you don't want to get married, don't
get married."
Needless to say, since Grizzly Bear are
getting better with each album, I can't wait for their next album to drop.
Hopefully, it will be soon.
Hey John! Been having computer issues but I think I'm back on track. You certainly hit the nail on the head with Grizzly's transition from the first to second lp. What a leap in sound and arrangements! The music is exquisite, involving and proof positive that great music is still being made. I especially love the use of woodwinds and other instruments generally neglected in pop music. This was a thoroughly enjoyable read.
ReplyDeleteHere are a few more disco tunes, some of which I'm sure you're familiar with:
Patrick Dennis - Like An Eagle. Sort of cheesy but what would you expect from a porn and soap opera actor?
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Cathy Dennis - Everybody Move. Long past the classic disco era but still a great hi-energy homage.
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Change - A Lover's Holiday. Classy, Chic style sound.
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SOS Band - The Finest. More Chic style class. You know they're good when their sound is co-opted by so many others.
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Donna Allen - Serious.
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Hey RM, great to have you back and thanks for your kind words!
DeleteI totally agree with you! The first album was interesting, but I'm not in love with it. The other three are really great. I tried to present them as well as I could.
Thanks for your Disco picks. I know all of the acts, but only two of the tracks. I have already added them all to my list as we speak. If you think of more, especially some gay-related ones, go right ahead and share.
Have a happy Sunday!
τον γνωρίζω απο το single του Nicolas Jaar στο οποίο υπήρχε βέβαια το remix του κομματιού του Sleeping Ute από τον N. Jaar, κομμάτι-διαμάντι.
ReplyDeleteΕχει καταπληκτικές μελωδικές γραμμές η μουσική τους από ότι απέθεσες εδώ από την δουλειά τους. Μου αρέσουν οι νωχελικές ενορχηστρώσεις τους αυτής της λεππτοφυούς folk που φτιάχνουν. Νομίζω αν λέπειπει κάτι από την δουλειιά τους αυτό είναι more layers of texture.
Θα τους πρότεινα να συνεργαστούν οπωσδήποτε με τις Cocorosie.(!!!)
βέβαια το remix του κομματιού του Sleeping Ute από τον N. Jaar, κομμάτι-διαμάντι. ****
DeletePanos & Lefty, thanks ever so much for the comments and your very kind words! I've just listened to the N. Jaar remix of Sleeping Ute and you are both absolutely right, it is a true gem. I believe there are a lot more like this in their oeuvre.
DeleteI am of the opinion that their music does have layers of texture, Panos. It's just that their songs need repeated listenings to fully sink in. At least that's what's happening with me: every time that I listen, I discover new stuff. Also, a collaboration with Cocorosie is a great suggestion. I hope that they get to read this story and the comments sometime. Maybe they'll agree. ;)
Both of you, have a great Ash Monday and an equally great week! :) <3
oh yes, please !get to read this Grizly Bear...
ReplyDeletehave a great week Yiannis.
Have a great week too, dear Panos!
Delete