Sunday, 4 August 2019

It was 50 years ago, today: part 3 & This Week's Statistics

Today, we conclude our presentation of the UK top 50 singles, as they appeared 50 years ago. Let's get on with it!


No 15: There are many songs that tell stories but The Beatles' The Ballad Of John And Yoko was almost like a newsreel of one of the most famous marriages (plus honeymoon and bed-in) of all-time. The verse told the story as any newspaper would - while the chorus and the middle eight functioned like an editorial. The song was already a UK #1, it was currently on its way down.


No 14: There was a time when one of the most eclectic singer-songwriters of the last 60 years actually had hit singles: We are talking about Scott Walker. Lights Of Cincinnati had peaked at #13 the week before - and it's a sublime song.


No 13: Also on its way down was the rock classic, Proud Mary, by one of America's best rock bands, Creedence Clearwater Revival. Having peaked at #2 in the US, it was a top 10 hit in the UK.


No 12: The Beatles had launched their own record company, Apple. Billy Preston was one of the company's main acts and That's The Way God Planned It was his biggest hit during his stay at the company. It would peak at #11.


No 11: Break Away was one of The Beach Boys' less successful hits in the US. It did much better in the UK, peaking at #6.


No 10: The Family Dogg was a British vocal group created by Steve Rowland, future hit songwriter Albert Hammond, and his writing partner Mike Hazlewood. Christine Holmes, Pam "Zooey" Quinn, and Doreen De Veuve completed the original line-up. The musicians playing on the hit single at #10, Way Of Life, are all extraordinary: they include 3/4 of Led Zeppelin (Page, Jones, and Bonham) as well as Elton John! The single, written by regular hit-makers Roger Cook and Roger Greenaway, had already peaked at #6.


No 09: Another Beatles' connection here: The Marmalade were a Scottish pop/rock band who, a few months earlier, had topped the charts with their version of the Beatles' Ob-La-Di, Ob-La-Da. They thus became the first Scottish group to top the UK chart. Baby Make It Soon was their follow-up, written by Tony Macaulay - and it peaked at #9 in the UK and at #3 in South Africa.


No 08: Clodagh Rodgers, a pretty blonde singer and actress from Northern Ireland, began her professional singing career at 13. In 1969, she was the best-selling female singles artist in the UK, partly because of Goodnight Midnight, a top 5 hit.


No 07: Desmond Dekker was a Jamaican ska, rocksteady and reggae singer-songwriter, and musician. Together with his backing group, The Aces, he was very popular and paved the way for Bob Marley & The Wailers. The single in question, peaking at #7, was called It Mek. The song's title is Jamaican patois meaning "that's why" or "that's the reason." The phrase was also used as a schoolyard taunt roughly meaning "that's what you get." This was the sense used in the song's lyrics, which metaphorically tell of the problems that happen when someone (such as a lover) goes too far.


Desmond Dekker's preceding single was also his only #1 hit in the UK, called Israelites. Since it's my favorite reggae song outside of Bob Marley, here it is as a bonus:


No 06: We've heard artists from England, from the US, from Scotland, from Northern Ireland, from Jamaica - now it's time for a Welsh band called Amen Corner. Hello Suzie (written by the Move's Roy Wood) was their follow-up to their #1 hit (If Paradise Is) Half as Nice. Hello Suzie peaked at #4.


No 05: After the Bee Gees' original international success, tensions began to mount within the group. Robin Gibb had a brief solo career - and Saved By The Bell was his most successful European hit. It peaked at #2 in the  UK. It was a #1 hit in New Zealand, South Africa, Denmark, the Netherlands, and Ireland.


No 04: In 1968-69 everybody was trying to be socially and politically relevant with their songs. Even The King, Elvis Presley, not the most progressive of artists, released In the Ghetto, a socially sensitive song written by Mac Davis.

It is a narrative of generational poverty: a boy is born to a mother who already has more children than she can feed in the ghetto of Chicago. The boy grows up hungry, steals and fights, purchases a gun and steals a car, attempts to run but is shot and killed. The song ends with another child being born in the ghetto and implies that the newborn could meet the same fate, continuing the cycle of poverty and violence. The feeling of an inescapable circle is created by the structure of the song, with its simple, stark phrasing; by the repetition of the phrase "in the ghetto" as the close of every fourth line; and finally by the repetition of the first verse's "and his mama cries" just before the beginning and as the close of the last verse. It is played in the key of B flat.

The public rewarded Elvis' turn. In the Ghetto became one of his two most popular hits since 1963. The other was Suspicious Minds. In the Ghetto peaked at #2 in the UK and Canada and at #3 in the US. It was a #1 hit in Germany, Australia, Italy, Spain, Belgium, Sweden, Norway, and New Zealand.


No 03: In 1969, Pete Townshend, The Who's guitarist and songwriter, was the catalyst behind the formation of the band Thunderclap Newman. The concept was to create a band to perform songs written by drummer and singer Speedy Keen, who had written Armenia City in the Sky, the first track on "The Who Sell Out". Townshend recruited jazz pianist Andy "Thunderclap" Newman (a friend from art college), and 15-year-old Glaswegian guitarist Jimmy McCulloch, who subsequently played lead guitar in Paul McCartney's Wings from 1974 to 1977 and died of a heroin overdose in 1979 aged just 26. Keen played the drums and sang the lead. Keen also wrote Something In The Air, the band's first single.

Townshend produced the single, arranged the strings, and played bass under the pseudonym Bijou Drains. Originally titled Revolution but later renamed to avoid confusion with the Beatles' 1968 song of that name, Something in the Air captured post-flower power rebellion, marrying McCulloch's sweeping acoustic and glowing electric guitars, Keen's powerful drumming and yearning falsetto, and Newman's felicitous piano solo.

The single reached #1 in the UK Singles Chart just three weeks after release, holding off Elvis Presley in the process. This had just happened in the previous week to the one we are presenting today. In this chart, it had moved down to #3.

The song was used in various movies and on TV and received multiple covers, the most notable being the ones by Labelle (1973), the Eurythmics (1985), and Tom Petty & The Heartbreakers (1994).


I have a special affection for songs that mirror the sociopolitical climate of their era, so, as a bonus, here's a song that was released more than two years earlier and is one of the best of its kind: Buffalo Springfield's For What It's Worth. It was written by Stephen Stills and was inspired by the Sunset Strip curfew riots in November 1966. The song was a big hit, peaking at #7 in the US and at #9 in Canada.


No 02: At #2 is Give Peace A Chance by the Plastic Ono Band, the song that became the anthem of the anti-Vietnam-war and counterculture movements, and was sung by half a million demonstrators in Washington, D.C. at the Vietnam Moratorium Day, on 15 November 1969.

The Plastic Ono Band was John Lennon's ad hoc group of friends, including Yoko, Tommy Smothers of the Smothers Brothers, and various celebrities, including Timothy Leary, Rabbi Abraham Feinberg, Joseph Schwartz, Rosemary Woodruff Leary, Petula Clark, Dick Gregory, Allen Ginsberg, Roger Scott, Murray the K, and Derek Taylor, many of whom are mentioned in the lyrics.

When released in 1969, the song was credited to Lennon–McCartney. On some later releases, only Lennon is credited. Lennon later stated his regrets about being "guilty enough to give McCartney credit as co-writer on my first independent single instead of giving it to Yoko, who had actually written it with me." According to author Ian MacDonald, the credit was Lennon's way of thanking McCartney for helping him record The Ballad of John and Yoko at short notice.

The song reached #2 in the UK and #14 in the US. Shortly after John's tragic death, fans gathered outside the Dakota (the building in which Lennon lived at the time) and sang Give Peace a Chance. The song is one of three Lennon solo songs, along with Instant Karma! and Imagine, in the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.


No 01: For its first of four weeks at the top, we now go to the Rolling Stones' smash hit Honky Tonk Women. It was a single-only release, available from 4 July 1969 in the United Kingdom, and a week later in the United States (although a country version called Country Honk was later included on the album "Let It Bleed"). It topped the charts in both nations.

The song was written by Mick Jagger and Keith Richards while on holiday in Brazil from late December 1968 to early January 1969, inspired by Brazilian "caipiras" (inhabitants of rural, remote areas of parts of Brazil) at the ranch where Jagger and Richards were staying in Matão, São Paulo.

Honky Tonk Women is distinctive as it opens not with a guitar riff, but with a beat played on a cowbell. The Rolling Stones' producer Jimmy Miller performed the cowbell for the recording. Except for the US and the UK, the song was also a #1 hit in Australia, New Zealand, Ireland, and Switzerland. It hit #2 in Canada, Germany, and Norway, #4 in Austria and the Netherlands, and #5 in Belgium.


Now, it’s time for our statistics. There was a 29% increase in the number of visits from the previous week, which is natural, considering there were more stories. The new stories did OK - but I am glad to say that people keep going back to read the older stories. Thanks!

As far as countries are concerned, Greece was the only major player that suffered minor losses, while winners include the United States, South Africa, and the Netherlands. The rest of the major players kept their percentages stable.

Here are this week's Top 10 countries:

1. the United States
2. the United Kingdom
3. Canada
4. Russia
5. Australia
6. Greece
7. Germany
8. South Africa
9. the Netherlands
10. France

Here are the other countries that graced us with their presence since our last statistics (alphabetically): Argentina, Austria, the Bahamas, Bahrain, Bangladesh, Barbados, Belarus, Belgium, Bolivia, Bosnia and Herzegovina, Brazil, Bulgaria, Cambodia, Cameroon, Chile, Colombia, Costa Rica, Croatia, Cyprus, Czechia, Denmark, Dominican Republic, Ecuador, Egypt, Estonia, Eswatini (Swaziland), Finland, French Polynesia, Georgia, Ghana, Guadeloupe, Guatemala, Guyana, Hong Kong, Hungary, India, Indonesia, Iraq, Ireland, Israel, Italy, Jamaica, Japan, Jersey, Jordan, Kazakhstan, Kenya, Kosovo, Latvia, Lebanon, Lithuania, Luxembourg, Malaysia, Maldives, Malta, Martinique, Mauritius, Mexico, Morocco, Myanmar (Burma), New Zealand, Nigeria, North Macedonia, Norway, Oman, Panama, Paraguay, Peru, the Philippines, Poland, Portugal, Puerto Rico, Romania, Saudi Arabia, Serbia, Singapore, Slovakia, Slovenia, South Korea, Spain, Sri Lanka, Sweden, Switzerland, Syria, Taiwan, Thailand, Trinidad & Tobago, Turkey, Turks & Caicos Islands, Uganda, Ukraine, the United Arab Emirates, Uruguay, Uzbekistan, Venezuela, Vietnam, and Zimbabwe. Happy to have you all!

And here's the all-time Top 10:

1. the United States = 35.8%
2. France = 14.9%
3. the United Kingdom = 11.1%
4. Greece = 6.9%
5. Russia = 3.0%
6. Canada = 2.1%
7. Germany = 2.0%
8. Australia = 1.0%
9. Italy = 0.8%
10. Cyprus = 0.7%

That's all for today, folks. Till the next one!

Tuesday, 30 July 2019

It was 50 years ago, today: part 2

Today, we continue with the presentation of the UK top 50 singles, 50 years ago. Here we go!


No 35: 1969 was definitely the year of the movie "Easy Rider". It was a smash hit, grossing $60 million worldwide from a filming budget of no more than $400,000. More importantly, it legitimized the counterculture - and was one of the films that brought about the change from old-time Hollywood spectacles to a more mature cinema, in step with the times. The movie had a killer song soundtrack, which was also a smash hit.

The song most associated with the film is Steppenwolf's Born To Be Wild, which we find at #35, already having peaked at #30 in the UK. It did much better across the ocean, peaking at #1 in Canada and at #2 in the US. AllMusic's Hal Horowitz described as "a roaring anthem of turbo-charged riff rock" and "a timeless radio classic as well as a slice of '60s revolt that at once defines Steppenwolf's sound and provided them with their shot at AM immortality." It is sometimes described as the first heavy metal song, and the second verse lyric "heavy metal thunder" marks the first use of this term in rock music.


No 34: Early In The Morning was an international hit; a top 10 or a top 20 hit in most international markets. Vanity Fare was the act responsible.


No 33: The Beatles rarely gave another artist co-credit for appearing on their songs. So, it was quite an event when Billy Preston was co-credited on their #1 smash hit, Get Back. Here are the Beatles on their surprise rooftop concert:


No 32: Cliff Richard is the third-top-selling artist in UK Singles Chart history, behind the Beatles and Elvis Presley. One of the 67 songs of his to reach the UK top 10, Big Ship was currently resting at #32:


No 31: Now, here's a remarkable song: Its lyrics were written by Paul Anka and set to the music of the French song Comme d'habitude co-composed, co-written (with Jacques Revaux) and performed in 1967 by Claude François. The song was a success for a variety of performers including Frank Sinatra, Elvis Presley, and Sid Vicious of the Sex Pistols. Sinatra's version of My Way spent 75 weeks in the UK Top 40, a record which still stands. This week, 50 years ago, it was found at #31:


No 30: L'amour est bleu (English title: Love Is Blue) is a song whose music was composed by André Popp, and whose lyrics were written by Pierre Cour, in 1967. Bryan Blackburn later wrote English-language lyrics for it. First performed in French by Greek singer Vicky Leandros (appearing as Vicky) as the Luxembourgian entry in the Eurovision Song Contest 1967, it has since been recorded by many other musicians, most notably French orchestra leader Paul Mauriat, whose familiar instrumental version (recorded in late 1967) became the only number-one hit by a French lead artist to top the Billboard Hot 100 in America. The Dells recorded a medley of Love Is Blue with I Can Sing a Rainbow. It peaked at #15 in the UK.


No 29: Introduced by its songwriter, Kenny Rankin on his 1967 debut album Mind Dusters, Peaceful was recorded by Bobbie Gentry for her 1968 album Local Gentry. A 1969 single recording by Georgie Fame reached #16 in the UK that summer. In 1972, Helen Reddy recorded the song, which peaked at #12 in the US. This is the Georgie Fame version:


Georgie Fame was one of the best male solo singers of the 60s in the UK. As a bonus, here's my favorite song of his, Yeh Yeh:


No 28: Frozen Orange Juice was the follow up to Peter Sarstedt's monster hit, Where Do You Go To (My Lovely)? It peaked at #10 in the UK.


No 27: Country music superstar Jim Reeves died when his plane crashed in 1964. Yet, he had as many hits posthumously as he did when he was alive. When Two Worlds Collide was one of his numerous posthumous hits:


No 26: We've heard Tommy Roe on the first part of this presentation. At #26, on its way down after making it all the way to the top, is his biggest hit of the late 60s, Dizzy:


No 25: Love Affair was a London-based pop and soul group. Their final UK top 10 hit was Bringing On Back The Good Times:


No 24: Oh Happy Day is a 1967 gospel music arrangement of an 18th-century hymn by clergyman Philip Doddridge. Recorded by the Edwin Hawkins Singers, it became an international hit in 1969, reaching #4 on the US Singles Chart, #1 in France, Germany, and the Netherlands and #2 in the UK, Canada, and Ireland. It has since become a gospel music standard.


No 23: Living in the Past is a song by British progressive rock group Jethro Tull. It is one of the band's best-known songs, and it is notable for being written in the unusual 5/4 time signature. The 5/4 time signature is quickly noted from the beginning rhythmic bass pattern. The song peaked at #3 in the UK.


No 22: My Cherie Amour is one of Stevie Wonder's 60s' gems. It peaked at #4 both in the US and the UK.


No 21: The Four Tops' What Is a Man failed to make a big impression in the US - it peaked at #53. It did better in the UK, peaking at #16.


No 20: Cilla Black was a good friend of the Beatles so it was no surprise that her single Conversations was produced by George Martin. The single peaked at #2 in New Zealand, at #5 in Ireland, and at #7 in the UK.


No 19: Time Is Tight is an instrumental recorded by Booker T. & The MG's for the soundtrack to the 1968 film, "Uptight", directed by Jules Dassin. It was released as a single and became one of the biggest hits of the group's career, peaking at #7 R&B and #6 Pop in the US. In the UK it peaked at #4.


No 18: Both Donovan, as well as the Jeff Beck Group, were hot commodities at the time. They teamed together to record Donovan's composition Goo Goo Barabajagal (Love Is Hot). It reached #12 in the UK and #36 in the US. It was Donovan's final top 40 entry in either country.


No 17: Gimme Gimme Good Lovin' is a song written by Joey Levine and Ritchie Cordell and performed by Crazy Elephant. It reached #12 on both the Billboard Hot 100 and the UK Singles Chart in 1969.


No 16: Make Me An Island, written by Albert Hammond and Mike Hazlewood, was a big international hit for Irish pop singer Joe Dolan. It peaked at #3 in the UK and at #2 in South Africa, Ireland, and Belgium.


That's it, for today. Soon, we'll have the third and final part of this presentation. Until then, take care!